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Word: though (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Bert Lahr is at his best when he goes royal, wrinkling his sub-Bourbon nose and speaking French as though afraid it might bounce back and hit him. As for Ethel Merman, if she is a little less than kin to Du Barry, she is more than kind-makes her, in fact, the most likable royal trollop that ever pranced behind footlights. More of an 18th-Century tomboy than a glamor girl, Merman booms and torches away in her train-announcer's contralto, jouncing her personality all over the stage, giving the King the oo-la-lahr, then...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 18, 1939 | 12/18/1939 | See Source »

...manuscript at Heifetz' Connecticut estate, and last week in Cleveland Violinist Heifetz, with fidgety Artur Rodzinski's streamlined Cleveland Orchestra as background, gave the new concerto its first performance. Well-woven as a Paisley shawl, Composer Walton's opus proved warm as well as intricate. And though Cleveland's dowagers found its texture scratchier than crepe, Cleveland's critics fingered its solid warp & woof with enthusiasm. Said Clevelander Rodzinski, rolling a long cigaret of Polish tobacco after the concert: "This is one of the most important violin works of the century. Emphatically so!" Echoed Violinist...

Author: /time Magazine | Title: Music: Sitwell to Heifetz | 12/18/1939 | See Source »

...made money every year. Though Sperry led in gyroscopic instruments, and Pioneer continued to make most of the magnetic compasses, engine gauges, accelerometers, etc.. Kollsman's pet patented altimeter soon copped nearly all of the altimeter market. He made many another fine dashboard instrument besides. Wall Street houses heard of him, urged that he issue stock to finance expansion. Shy Bachelor Paul Kollsman declined, continued to pile earnings back into the company...

Author: /time Magazine | Title: Business: Mr. Kollsman's Number | 12/18/1939 | See Source »

...When little Pierpont came into the world [in 1837] there were a great many business troubles," writes Mr. Satterlee gravely. Not greatly troubled was the well-to-do Morgan family of Hartford, Conn., though little Pierpont's grandfather, red-nosed, craggy-faced Abolitionist Preacher John Pierpont of Boston, had fights with some of his non-Abolitionist parishioners. In his school days "Pip" was a fun-loving, feverish, arrogant character with a temper and a direct, wide-open gaze. He and Joe Wheeler, later a Confederate cavalry leader, risked their necks and expulsion to carve their initials on the school...

Author: /time Magazine | Title: Books: Pip's Portrait | 12/18/1939 | See Source »

Duncan Phillips, critic and collector, once said of Cezanne that "there is no illusion of life in his work, but a plastic equivalent for it which has a life of its won." Now this statement, though not applicable to all of Cezanne's work, is a simple, yet comprehensive summary of a very important aspect of the artist's style. And if we spend a few moments studying the three Cezanne paintings which are now being shown in Fogg Museum, we can begin to see the truth embodied in Mr. Phillips statement. Cezanne manages to create something besides the object...

Author: By Jack Wilner, | Title: Collections & Critiques | 12/18/1939 | See Source »

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