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...bombast, though, what carries “How to Train Your Dragon” is the dialogue written for its characters and handed off to a superb cast. Baruchel plays the self-deprecating misfit Hiccup as though he’s talking to the audience, and not the characters on the screen. In this way, he pulls the viewer into his confidence, and both find themselves the only sane people in a village of blood-crazed Vikings...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: How to Train Your Dragon | 3/30/2010 | See Source »

...Though aspiring Harvard students may spend this week mired in uncertainty as they wait for admission decisions on April 1, one thing is almost certain: more admitted students than ever before will come to Harvard with the hope of pursuing engineering and applied science...

Author: By Gautam S. Kumar and Evan T. R. Rosenman, CRIMSON STAFF WRITERS | Title: Harvard Attracts More Potential Engineers | 3/30/2010 | See Source »

...group sets out as their younger selves, reliving their past. Fearing the butterfly effect, though, they attempt to recreate events exactly as they had happened before. Throughout the entire film, the actors are shown in their mature, present-day bodies, despite everyone else in 1986 seeing them as adolescents. Director Steve Pink occasionally cuts between the actors and their younger reflections in mirrors in a sight gag used to great effect, for instance, reminding us of Nick’s ill-advised Kid ‘n Play haircut. Jacob, however, having not been born in 1986, remains...

Author: By Brian A. Feldman, CRIMSON STAFF WRITER | Title: Hot Tub Time Machine | 3/30/2010 | See Source »

...small picture that the director had drawn as a child. “I think I’m going to incorporate it as the central image,” said Ding, “since the image fits oddly well with the themes of the show even though this drawing was done years ago and was not related to the production...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

While the music on “Head First” is always fun and energetic, it inevitably sounds like it’s been done before, and the lyrics, though catchy, are often sometimes just a little too mindless, failing to do justice to Alison’s incredible vocals. While “Head First” may not be Goldfrapp’s most innovative or exciting production yet, it’s a near perfect soundtrack for a retro dance party. After Goldfrapp’s sudden detour into a downtempo, folksy, ambient haze on their...

Author: By Sarah E. Rich, CONTRIBUTING WRITER | Title: Goldfrapp | 3/30/2010 | See Source »

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