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Word: thought (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Some of the merchandise is taken back into Mexico legally (and duty is paid on it); much more is smuggled, by individuals for their own use or by professionals for resale. The total value of goods smuggled into Mexico from the U.S. is thought to approach $1 billion a year...

Author: /time Magazine | Title: Business: Border Boom | 1/8/1979 | See Source »

...ultimate truth of architecture, especially of his architecture: that it was closer to the truth than anyone else's because it was simpler and could be learned. He felt it could be adapted on and on into the centuries, until architecture bloomed into the great science he thought it should be, and all our cities would look like a series of Mies buildings-a poor man's Chicago. He lost. But he didn't know...

Author: /time Magazine | Title: Doing Their Own Thing | 1/8/1979 | See Source »

...joined up with the Pop movement, which by 1966 had already peaked in America. Venturi was roundly damned for this by Modernist critics, as Pop painting had been damned by formalist critics seeking to preserve the "purity" of canonical, Greenberg-style color abstraction. But young architects and architecture students thought otherwise; by the early 1970s Venturi, who had built very few buildings, had attracted a considerable following as a theorist and critic...

Author: /time Magazine | Title: Doing Their Own Thing | 1/8/1979 | See Source »

Moore wants buildings to "freshen one's perception of the familiar," rather than turn Pop into a sequence of quotations à la Venturi. He uses space with originality. It is not the "universal" grid-space, the abstract Raum-with-a-view of Bauhaus thought, but a choppily processional medium, full of ambiguities and kinks, stagy...

Author: /time Magazine | Title: Doing Their Own Thing | 1/8/1979 | See Source »

...inflected by supergraphics as by walls. Moore's latest project, with which he is "thrilled," is really a stage set. The Piazza d'ltalia fountain in New Orleans was commissioned as a celebratory space for the local Italian community. Moore dismissed all thought of "unitary" Tuscan directness and produced a razzmatazz design, a caprice resembling the gaudy, papier-mâché fair sets of Sicilian festa decor: fragments of Roman and Renaissance buildings around an 80-ft.-long stone map of Italy, like the masterpiece of a megalomaniac pastry cook. A fountain spurts out of Moore's Sicily, and its water...

Author: /time Magazine | Title: Doing Their Own Thing | 1/8/1979 | See Source »

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