Word: three
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Dates: during 1960-1969
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...Three-member panels of the Committee on Rights and Responsibilities are now holding hearings in the cases of 26 students whom May has said "denied him liberty of movement or took part in an obstructive sit in" at his office November...
...Harvard College has three great resources." Chalmers said. "its students, its Faculty, and the House. The Houses are not part of the educational process, and the Faculty members are not part of the Houses. This plan is an attempt to bring our resources together...
...Pray For It," the first of the three dances that make up Winter, exemplifies this fusion in its purest form. Allesandro Vitelli's lighting is as vital to the sequence as Lindsay Crouse's chorcography, or the Charlie Mingus jazz piece she and Wakeen Ray-Riv dance to. As the space their bodies move in changes from blue to orange to hot pink, they become silhouettes of motion in a pulsating frame of sound and color; when the frame constricts to two thin streams of light, they move in a separate frenzy against the darkness. The integration is so smooth...
...point the dancers move before a slide projection of white circles on black; white ares cut across them as they dance, defining their bodies, absorbing them into pure design, and translating design into motion. In another sequence, three dancers in what look like stylized gas masks stand bound together by a length of sheet. Sounds of traffic and drilling blur into an oppressive roar as the dancers writhe against their bondage; and against the bleak gray and black patterns projected behind them and onto the moving drapery. At first we perceive the slide-patterns as abstract, then as endless wooden...
Unfortunately, in the final seene, "American Meadows," Lindsay Crouse seems to have forgotten that words can be limiting. The three-part dance is accompanied by the narration of Blake's poem "Song of Liberty." By itself the poem is extremely complex; combined with the complexity of Cherries Ivies music, and of the choreography which mixes mime with dance, the poem becomes virtually incoherent to anyone who hasn't studied it extensively beforehand. More important, the intellectual effort which the poem demands detracts from our response to the dance-it leaves us fragmented. This is a sad irony, because Blacke...