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...African origin. Although he has spent most of his life in France, Kechiche, the eleventh recipient of the prize, was deemed to have excellently portrayed France’s Arab community through his films. To mark the occasion, the Harvard Film Archive presented a weekend-long retrospective of his three films, starting with 2004’s “Games of Love and Chance...
...France. His subsequent movie, “The Secret of the Grain,” released in 2007, achieved even stronger critical acclaim. Along with the same four César prizes rewarded to “Games of Love and Chances,” it also received three others at the Venice Film Festival, including the Special Jury Prize...
...fantasy games are not real. In one scene Huck believes that a traveling troupe of invisible Arabs with two hundred elephants was conjured by a genie. It is only after the incident that Huck reconsiders his gullibility. He “thought all this over for two or three days” and rubs an old lamp hoping to find a genie before eventually concluding “all that stuff was only just one of Tom sawyer’s lies... It had all the marks of Sunday School...
...drop by the rehearsals and talk to the directors to get a feel for the show.” For Hsieh, the cultural board of CSA tells him what kinds of images they have in mind for a given event, and then he creates three or four designs based on their input. “It’s a collaborative process,” he said, “and then the cultural board makes the final decision about which images...
Although it takes Huck three days to establish that Tom’s fantasies aren’t true, later in the novel Huck can immediately figure out how to convincingly lie to other characters. In one instance, Huck fabricates an entire story to convince a ferryman to lead a rescue party to save several people trapped in a sinking riverboat. Yet later, Huck is not able to figure out that the criminals called The Duke and The King are not real royalty. Huck’s capacity to understand and speak the truth seems to change in every scene...