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This announcement came three days before freshmen will receive their housing assignments and after more than four years of yearning on the part of the Kirkland House Masters to rid the House of the overflow housing, which is located three blocks away from Kirkland proper...

Author: By Naveen N. Srivatsa, CRIMSON STAFF WRITER | Title: Kirkland, Lowell To Split DeWolfe Floors | 3/9/2010 | See Source »

...picked up late in the season as he began to show signs of the goalie who won the Ken Dryden Award for the ECAC’s top goaltender as a sophomore in 2007-2008. In the five final contests Richter played in, he did not allow more than three goals in a game. And in the playoffs, Richter started and allowed two goals or less twice in a row—something he had done only three times during the regular season...

Author: By Scott A. Sherman, CONTRIBUTING WRITER | Title: Junior's Efforts Come Up Huge | 3/9/2010 | See Source »

...evening began with Sergei Prokofiev’s Symphony No. 1 in D major. The piece established the neo-classical flavor of the night’s first three works with sweeping, sometimes dissonant harmonies punctuated by pizzicato and sharp percussion. Cohler presented the third and fourth movements with an especially tasteful choice of tempi that allowed his musicians to end the piece with a rapid, energetic flourish...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

...video is particularly unfortunate when three factory workers visit patriarch Leo Gordon (David Chandler) and his business partner Sam Katz (Jonathan Epstein) to complain about their conditions. The unseen workers lodge their complaints, speaking into off-stage microphones while the screen plays clips of silently talking everymen. The effect is sloppy and confusing. If Fish is trying to equate the three workers with modern employees and their struggles, he certainly does not succeed; it is barely discernable what is actually even happening in the scene...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...moments during which characters speak into handheld microphones, the production comes off as cold, sterile, and preachy. The cavernous quality of the Loeb Mainstage only adds to this empty feeling. While the various scenic elements—designed by Andrew Lieberman—are visually striking throughout the three set changes, their scattered placement on the vast stage also underscores the emotional barrenness of the production...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

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