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...residents of other houses more difficult. The one resident, one guest policy can cause problems for groups of diners that include residents of multiple houses. For example, since I live in the Quad, when I want to eat dinner with friends who live in, say, Winthrop and Lowell, the three of us have no choice but to join the crowds in one of the view houses without restrictions...
Weekly community dinners, for one thing, are a great idea in principle, as a way to encourage house community without excluding non-residents the rest of the time. However, three of the most popular river houses (Quincy, Leverett and Kirkland) all hold community dinners on Thursdays, so all non-residents who would normally go to these dining halls, as well as residents who want to eat with friends who aren’t residents, must find somewhere else to eat. Spreading these community dinners out over different nights would reduce stress on the remaining dining halls, while still fostering house...
...identified solely by only her distinct voice and harp playing, rather than by the remarkable talent she’s always commanded as a songwriter. But “Have One on Me” unveils an adventurous, sophisticated, and newly approachable Newsom. Her talent has culminated in this three-disc, two hour masterpiece, revealing that she has both branched out musically and refined her craft. “Have One on Me” is arguably the most accessible of Newsom’s albums, though it is neither generic nor pandering to the mainstream, qualities the term...
...lyrics as a whole rather than just the chorus. The refrain very simply states, “And I’m always swinging on this wrecking ball / While you’re building up and breaking down my wall.” Although this is repeated three times throughout the song, the chorus is sung through soft background vocals, allowing the verses between each iteration to steal some of the spotlight. Indeed, those lyrics prove to be some of the most interesting on the album, as Wade sings, “I’m a fool, a mechanical...
...would take the inbound pass and dribble the ball up the hardwood. When he crossed the half-court line, he’d call out a play using his free hand. Once he hit the three-point line, he would pass the ball off to one of his nearby teammates and get the offense moving. If the opponent double-teamed power forward Keith Wright or shooting guard Jeremy Lin, he would use that decision to his advantage, and he would find a way to get open. He would find his spot behind the three-point line, take a pass...