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...haunted Lincoln's only stage door. He once spoke to Charles Laughton and still remembers that the actor remarked upon his low voice. When Bob Hope played Lincoln, Dick trapped the comedian backstage and said, "Fine show, Bob." Hope replied, "Thanks, son." Hardly a droll exchange, but enough to thrill Cavett. He recalls: "I thought, gee, if I were famous I wouldn't have to worry about being smooth like some of the jocks in my class, or about sweating when I danced with girls. If I were in the movies, they'd all be coming...

Author: /time Magazine | Title: Television: Dick Cavett: The Art of Show and Tell | 6/7/1971 | See Source »

...fast. Smitten, I hungered to go back. Missed cues, memory lapses, technical distractions, the guest's curve balls, the occasional fumbling efforsts at easy conversation?all these had brought terrors, but they they were terrors shared by dare-devil drivers and talk-show hosts alike: they only heightened the thrill. I understood, too, the performer's need for approval. I accosted total strangers backstage, demanding of them line-by-line opinions of the program, insistently playing back to them my own version of my triumph...

Author: /time Magazine | Title: Television: It Isn't As Easy As It Looks | 6/7/1971 | See Source »

...high whistle. The blind are also psychologically stimulated by the "tactile board," actually a big box with 35 compartments behind sliding doors that are finished in textured materials-sticks, beads, sandpaper, glass and felt. Tucking things away in the cubbyholes, blind children experience the thrill of finding them again by remembering the feel of each hiding place...

Author: /time Magazine | Title: Behavior: Toys for the Handicapped | 4/26/1971 | See Source »

...questionable) stereotype of the "Authoritarian Personality," dismisses practical ways of dealing with that structure politically, and-like Z-it breeds in us a self-righteous self-satisfaction with our own uncommitted brand of anti-Fascism. Our passivity is transformed only to the extent of our exploitation, as we thrill freely to the perverse in all its frozen detail...

Author: By Jim Crawford, | Title: Exploitation Movies Investigation of a Citizen Above Suspicion | 4/23/1971 | See Source »

Diana Rigg as Heloise and Keith Michell as Abelard are lovers not so much star-crossed as celluloid-spliced. A playgoer might even feel that he was watching an ad trailer from the film-to-be. Thrill to A & H in a nude scene played in one-watt lighting. Chill as A is symbolically castrated by some sinister leprechauns left over from a ballet of yesteryear. Hiss the uncle. Chortle with a tipsy canon (Ronald Radd) and a tipsier abbess (Jacqueline Brookes). So much for medieval color. In dialogue. Playwright Millar has spared his audience the one line that...

Author: /time Magazine | Title: The Theater: Celluloid-Spliced Lovers | 3/22/1971 | See Source »

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