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Word: thrillers (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...movie of recorded history, he is a giant even among those other pop novelists--John Grisham, Stephen King, Tom Clancy--whom Hollywood has fallen in love with. Consider the string of Crichton novels that have tapped into popular obsessions and been converted into box-office gold: Rising Sun, his thriller that exploited American fears of Japan's economic threat, earned $65 million domestically for Hollywood in 1993. Disclosure, his 1994 topical twist on sex-harassment in the office (Demi Moore chases Michael Douglas around the desk) collected $83 million domestically. Congo, his adventure saga featuring a talking gorilla, was released...

Author: /time Magazine | Title: MEET MISTER WIZARD | 9/25/1995 | See Source »

Michael Crichton didn't really have to get the science right to make sure The Lost World would be a best seller. But he got the science right anyway. Like many of his earlier novels--from The Andromeda Strain, his killer-bacteria thriller that prefigured The Hot Zone by 25 years, to Jurassic Park--The Lost World is suffused with scientific detail that has clearly been lifted from the latest research journals. Yet as a novelist Crichton isn't bound by the usual caveats that academics are forced to issue; he can and does take the most speculative of theories...

Author: /time Magazine | Title: HOW GOOD IS HIS SCIENCE? | 9/25/1995 | See Source »

...Seven" may be the best thriller ever made. It may also be the most gruesome, sadistic, disturbing film you have ever seen. On an artistic level, it is impossible not to be moved and delighted by this movie: the writing is excellent, the photography is beautifully bleak and the acting strikes a perfect pitch. These film-makers have given us something that should go down in history as one of the great films of our time. But they certainly make...

Author: By Benjamin Cavell, | Title: Being Bad Was Never So Thrilling: Different Crimes | 9/21/1995 | See Source »

...glamorously seedy plot of David Ramus' new thriller, Thief of Light (HarperCollins; 291 pages; $23), that has the publishing world abuzz. It is the eerie similarity between the fictional story and that of the author. Ramus, a wan Alec Baldwin look-alike, is a first-time novelist with a potential best seller in his future, and also a possible prison sentence. Like his protagonist, in the '80s he was an art dealer with a fondness for heroin. By the '90s he had overcome his drug problems, but questionable business dealings left him with a $4 million debt and allegations...

Author: /time Magazine | Title: PUBLISHING: THE ART OF THE DEALER | 9/18/1995 | See Source »

Many things go into the making of a movie classic, but Alfred Hitchcock's timeless thriller is inseparable in our memory from Bernard Hermann's eldritch, bump-in-the-night score. Through out the Golden Age of Hollywood, the music of composers like Hermann, Erich Korngold, Max Steiner, Miklos Rozsa, Alfred Newman and others was an integral--and often unforgettable--part of the motion-picture experience. What is Gone With the Wind without Steiner's haunting Tara's Theme, or Lawrence of Arabia without Maurice Jarre's heroic, expansive opening music? Why can't they write them like that anymore...

Author: /time Magazine | Title: MUSIC: RUNNING UP THE SCORES | 9/11/1995 | See Source »

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