Word: thrillers
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...play avoids predictable paths. It is not a thriller--though the tension builds inexorably. Nor is it a diatribe about the victimization of women. Theresa, played with empathy and toughness by Mary Beth Fisher, is indeed a victim, but also a strong, fallible, fully realized character. As the terror mounts, she is forced to call the police, move out of her apartment and finally change her name and her life. But there's never a cry for pity, a whiff of the self-righteous. When her ditsy secretary confesses that it was she who gave Tony her home number, Theresa...
...turning to the Web, CD-ROMS and new devices such as the Rocket eBook as potential outlets for their work. While their experiences aren't as compelling as the King episode, a number of them are finding a place to be seen. Melisse Shapiro put her erotic thriller, Lip Service (under the pseudonym M.J. Rose), on the Web in 1998 after getting rejected by several publishers. "My goal was to get a couple of thousand readers and go back with a new novel to publishers and show them I had a following," she said. But after promoting her virtual book...
Other genres--mystery, thriller, horror, sci-fi--attract no cultural stigma, but those categories also appeal heavily to male readers. Romances do not, and therein, some of the genre's champions argue, lies the problem. "I cannot help but suspect," writes romance author Penelope Williamson, "that romance is so often ridiculed and denigrated because it is a literature written almost exclusively by women for women...
...every good thriller does, this one starts with a thrill: a helicopter smashes into the face of the Statue of Liberty. That brings on an architectural restorer; her fiance, an N.Y.P.D. detective; and her former lover, a research neurologist who can repair brain damage and bad attitudes with a computer and molecular smart bombs. An ingenious bio-tech love triangle ensues, as does the hunt for a sadistic killer with an acetylene torch. Then it's back to the top of Lady Liberty for the climax, a breakneck update of the finale to Hitchcock's 1942 tingler, Saboteur...
...Expectations? Throw them out the window, because they'll probably turn out wrong. The only thing you can truly expect from Reindeer Games is the unexpected, and saying any more would be giving away too much. This is very much a thriller in the classic sense, in which the strong development of the characters and their relationships drive the plot along its winding path. As any good thriller should, it throws a surprise at the audience every few minutes and introduces doubt at every turn. Can we trust the characters we think we can trust? Who will end up betraying...