Word: thrillers
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Quick! Don't let them find you! Escape from the throngs of Regatta-bound tourists to the Brattle Theater this Saturday and Sunday. Persona, the classic thriller, is likely to be more entertaining and perhaps even less frightening than the otherworldly masses of visitors you will leave outside. Saturday at 4 and 7:45 p.m. and Sunday...
Bryan Singer, whose last film was the crisply devious crime thriller The Usual Suspects, has narrowed his focus from that film's gang of five to a two-hander in Apt Pupil, from a Stephen King story. The other three directors have bought a big canvas (at a cut rate) and splashed strange people on it till it's as busy as a Bruegel. Solondz has a dozen major characters trudging through Happiness. Stanley Tucci, the co-writer, co-director and star of everyone's favorite Italian-food film, Big Night, has created a shipful of fools in his farce...
...modern as Rush Hour or The X Files. In Waterbearer Films' ravishing 6-hr. 40-min. video edition, restored by David Shepard with its color tinting and long-lost intertitles, Les Vampires is revealed as the prototype and apotheosis of every hurtling action film and devious crime thriller to follow...
...just sits there, like a poker game that has its ending broadcast in the first hand. Rounders offers convincing evidence that the actors involved should carefully adjust the directions of their careers. John Dahl should return to the genre which made him famous--the sexually charged neo-noir thriller that he basically reinvented. Matt Damon should go for range and dive into a weird character--maybe even a villain. (Sacre bleu!) Gretchen Mol should have a heart-to-heart with Meryl Streep. John Malkovich should just relax. Rounders should be a transition piece for all these artists. Let's hope...
Beloved also marks the welcome return of Jonathan Demme, who directed Hollywood's ultimate psychological thriller, The Silence of the Lambs. The Silence of the Lambs was a showcase of visual ferocity, superb camera prowess and raw lyrical power; Demme told the story in such riveting fashion that the film still chills to the bone, even today. Beloved is his first film since Philadelphia in 1993, and while he cannot quite capture the essence of the book here, he still demonstrates the ample talent that helped him win an Academy Award. Demme is still a master of camerawork...