Word: thrilling
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...houses faithfully, making that regular pilgrimage to the world of bidding? A wonderful story by L.M Montgomery comes to mind - that of an old man who goes to auctions regularly and buys whatever piece of junk he can afford, as long as he gets to take part in the thrill of auctions (he comes back with a baby one day but that is a whole new story altogether...
Anime is kids' cartoons: Pokemon, oh, yes, and Sailor Moon, a TV series about intergalactic Spice Girls that airs in a heavily edited version on the Cartoon Network. But it's also post-doomsday teen fantasies (Akira), futuristic fly-boy films (The Wings of Honneamise), schizo-psycho thrill machines (Perfect Blue), sex-and-samurai sagas (Ninja Scroll)--the works. "If you want to see a story told as fast as the most exciting comic book," McCarthy says, "but with amazing movement, music and dialogue, that's what you get from anime...
...form of MAHIR CAGRI, a 37-year-old man with a beak nose and, by his own admission, an interest in Ping-Pong, sex and playing the accordion. "I Kiss You!!!!!"--runs the greeting of the Mahir home page--a normal enough salutation in his native Turkey but a thrill to the hordes of fans who have sent e-mails recommending his site to friends. Cagri, who "invitates" any young women coming to his hometown of Izmir to stay in his home, has provoked Clinton-based parodies, flash animations and a large Web fan club. He told the Turkish press...
...slightly awkward moments, has done an excellent job putting together a program that fits well with Porter's show, showcasing the rambunctious fun of Anything Goes. So excellent a job, in fact, that it is a little too ambitious for the cast. Anything Goes should be a thrill to dance, but with a cast concentrating so laboriously on not getting behind and remembering the next step (Remember to breathe, guys), it's hard to see this essential aspect coming through...
...selective and incomplete. Bourke ignores important studies that inconveniently contradict her assertions. Dave Grossman, in his Pulitzer Prize-nominated study, On Killing: The Psychological Cost of Learning to Kill in War and Society, argues that most soldiers try to avoid killing and, when forced to kill, experience stages of thrill, remorse and rationalization. Bourke focuses on only one of these stages of emotion, thrill, ignoring the others. Similarly, she completely neglects John Keegan's The Face of Battle and mentions Richard Holmes's Acts of War: The Behavior of Men in Battle only in passing. Bourke's failure to discuss...