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...audience. When he began giving concerts and recitals, however, the intimacy with the audience and the absence of operatic costumes caused him to lose concentration. Now he sings to an imaginary listener, whom he pictures in the center of the balcony, in order to keep his chin up and throat straight. "It could never be an actual member of the audience," he says. "It would be disastrous if he blew his nose, or yawned, or began to beat time...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

...cannot evaluate her voice because her notes are produced from the chest without proper support. "A baby crying is a perfect demonstration of correct vocal technique," he tells her. "The baby chooses a note that is comfortable and can cry all night without tiring or getting a sore throat. Why? Because it produces the sound in the natural way, by pushing it up from the diaphragm...

Author: /time Magazine | Title: Music: Privacy, Pavarotti Style | 9/24/1979 | See Source »

...professor at Harvard at 28) admits to being "an extremist" on civil liberties. His credo: "If there is discrimination against anybody, there is discrimination against everybody." He has fought for the rights of American Nazis to speak and assemble, and successfully defended Actor Harry Reems, the lead in Deep Throat, against obscenity charges. Though a Jew and an ardent Zionist, Dershowitz has criticized Israel for establishing settlements on the West Bank. For that, he says, "my mother really gave me hell...

Author: /time Magazine | Title: Special Section: 50 Faces for America's Future | 8/6/1979 | See Source »

...There is a tension between the events described and the manner in which they are told. In one particularly moving passage, Haviaras describes eating a sparrow, and reaches an almost mystical communion with it. He writes, "And then it was my mouth embracing the sparrow. I was warmer, my throat was warmer, as if I had taken in his voice, and had been singing with it for hours...

Author: By Kim Bendheim, | Title: Outlasting Death | 8/3/1979 | See Source »

...aside from its inappropriteness, it's technically a cut-rate job. It is unspeakably bad. Who was responsible for this sequence? Who? I want to know his name. I can't believe it was Badham. Producer Walter Mirisch? Who? I want to know so I can tear out his throat, break his neck, impale him to the side of a boat, and butcher his baby...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

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