Word: throb
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Dates: during 1990-1999
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...past, Jason Priestley has played roles that have propelled him into nationwide teen idolhood. Similarly, Ronnie Bostock, the heart-throb B-movie actor that Priestly plays in Richard Kwietniowski's debut film occupies an equivalent pop-culture status. Ronnie's biggest fan, however, is not the typical hormone-racked female teenager, but rather the established middle-aged English writer, Giles De'Ath, convincingly played by John Hurt. It's a good showcase for Hurt's talents, the pretty performance of Fiona Loewi and the budding skills of Kwietniowski. It also presents an interesting dilemma about how an elderly man reclaims...
...past, Jason Priestley has played roles, such as the character Brandon on the hit TV show "Beverly Hills 90210," that have propelled him into nationwide teen idolhood. Similarly, Ronnie Bostock, the heart-throb B-movie actor that Priestly plays in Richard Kwietniowski's debut film, Love and Death on Long Island, occupies an equivalent pop-culture status. Ronnie's biggest fan, however, is not the typical hormone-racked female teenager, but rather the established middle-aged English writer, Giles De'Ath, convincingly played by John Hurt. Hurt gives the film his very best, but he can't overcome...
...tragic modern history of Tibet, but opts for glossy formulaic packaging over genuine emotional resonance, even in the central relationship between Brad Pitt's Austrian mountaineer and the young Dalai Lama. Pitt never frees us from the sensation that he's out of place--a Hollywood heart-throb trying to look spiritual and attempting a dreadful accent. The film actually becomes more dramatically compelling as Pitt's character fades in prominence, though it's amusing to watch his arrogant narcissism get deflated...
Most of Lisa Stansfield is a slow-building, slow-burning pleasure. This is soul lite, harking back to the '70s, to Barry White, Roberta Flack and Diana Ross. The song Never, Never Gonna Give You Up evokes the throb of disco, but in a comely, cooing, classic way; Honest is a soul-baring ballad with an intimate, unadorned sound that leaves Stansfield's voice free to shimmer in the foreground; and I Cried My Last Tear, Last Night is an unabashed I-won't-get-stepped-on-in-relationships call to arms that makes its case passionately but not gratingly...
...amazed archaeologists 2,400 years later. Then the Hong Kong Philharmonic steals in with a simple yet radiant tune in D major--the key of Beethoven's Ode to Joy--and a children's choir begins to sing, accompanied by the soft throb of Chinese drums pounding out an African-flavored beat...