Word: throned
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...chair, of course -- except when it sits behind the most famous Formica desk in America, the first desk in the history of the Republic to stand for something other than homework and bureaucracy. When that chair sits behind the Desk That Johnny Built, that chair, of course, is a throne...
Fifteen years ago, when King Fahd was still Crown Prince, he pledged to establish a citizens' consultative council upon ascending Saudi Arabia's throne. But after he came to power in 1982, Fahd found ample excuses to confine decision making within a narrow family circle. Then came Iraq's 1990 invasion of Kuwait and the subsequent arrival of more than 500,000 U.S. troops in the region. While President Bush maintained that Desert Storm was not designed to promote democracy in the gulf's oilagarchies, the campaign to liberate Kuwait prodded conservative Arab rulers to broaden public participation...
King Richard III was a monster. He poisoned his wife, stole the throne from his two young nephews and ordered them to be smothered in the Tower of London. Richard was a sort of Antichrist the King -- "that bottled spider, that pois'nous bunch-back'd toad...
...France, but Lion in Winter is no static historical piece. The power struggles between King Henry II, his estranged wife Eleanor of Aquitaine and their children match those in any modern-day drama. The sibling rivalry between Henry's sons is magnified because they are vying for the throne, but the same issues of competition for parental love arise in an Arthur Miller play. In fact, the dysfunctional royal family shares more in common with today's families than with Medieval ones. These and other modern themes strengthen Lion in Winter, even though Haner does not belabor the play...
John (Karl Saddlemeyer), Geoffrey (Richard Claflin) and Richard Lionheart (Adam Geyer), Henry's sons, provide both comic relief and a tragic element as they struggle for the throne. Saddlemeyer's fatuous complacence amuses the audience: "I'm Father's favorite--that's what counts." Claflin shows resentment at being the proverbial second son by spitting out every sarcastic line. Geyer shows the roots of Richard's Oedipal dilemma early in the play with his seemingly inexplicable hatred of his mother...