Word: thrones
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...February, Blake headed to Dallas for the Rolex National Intercollegiate Indoor Championships--the third leg of the Grand Slam. As the No. 1 seed, Blake withstood stiff challenges to his throne, even saving a match point in the quarterfinals, before finally winning the title...
...Bush's most memorable campaign tactics was to sit on a throne made of beer cans and one can of Ginger Ale (in recognition of students who do not drink alcohol). After the election (Bush finished third out of seven candidates), the throne was sold at a Cabot House auction and has since been recycled...
...technology espionage, skipping right to the hottest of the hot buttons that is being pressed in Washington this week: That the Clinton administration's negligence (and that of its predecessors) has spawned a new Evil Empire, a threat to the nuclear world order, a legitimate contender for the geopolitical throne. In 2003, go the national-security nabobs, China will have a new and improved generation of nuclear weapons, all thanks to Bill Clinton, Loral and Wen Ho Lee. And all the Pentagon will have to do is cross out USSR and write in PRC -- and aim everything in the arsenal...
Clarke is magnificent as the third Richard, slowly loosing grip on the kingdom and his sanity. He bounces around the stage in a fury of guilt and reproach as the valiant Richmond moves to retake the throne. Parris perfectly complements Clarke as the righteous force of good that inevitably defeats the evil Richard. The play ends with a gloriously choreographed battle between the forces of Richard and Richmond. But although the choreography, music and set are spectacular, the real engine that moves Richard III to success is the solid, intense, and complementary performances of the three Richards...
...light in the center of the stage and delivers the difficult "I shall prove myself a villain" soliloquy with a brilliant sense of introverted evil. The first Richard, the so-called Master of Ceremonies, hobbles around the stage in a whirlwind of action, murdering his way to the English throne. Monteleoni's performance is particularly pointed during Richard's outrageous, paradoxical, yet effective, seduction of Lady Anne (Amy Piper '99), who plays her role with convincing passion, reacting to the death of her husband at the hands of Richard...