Word: throughout
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Dates: during 1990-1999
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...after the 90-minute mark. The characters are developed only enough to continue the simplistic plots, leaving little desire to empathize with them. In a movie devoted to the pain and pleasure associated with love, an emotional connection between the audience and the characters must be established and strengthened throughout the film. But the multiple jumpy, unrelated stories show only brief glimpses into the relationships, which prevents viewers from ever becoming involved in the amorous affairs...
Then her husband decided to have an affair. Hillary, as she has throughout their marriage, stood stoically by her philandering mate. She went on TV to talk about vast conspiracies. When she could no longer deny the obvious, she went on TV to grimace somberly. Now, she is a hero. Now, she is being hailed as a political force in her own right. She should really just go back to Arkansas...
...movie (and play) demonstrate throughout an irreverent playfulness with language as if it were an assumed meaningless jargon. Spacey's Mickey clarifies the distinction between "flip" and "sarcastic"; Chazz Palmenteri's actor-99.44 percent consisting of repressed fury--seeks some solace in the exact conceptual phrasing of "karma"; and then there's Eddie's kabbalistic Merriam-Webster romp. Some bits are even a little reminiscent of a Coen screenplay, the way the guys repeat and throw this or that phrase around like an exotic football...
Oddly enough, Gluck maintains a cool, stony voice throughout--despite her pluralistic embraces. She recalls antiquity, speaking through Aeneas, Eurydice and Orpheus in various poems, yet her usage encloses the most tragic scenes in a modern living room. She retells: "In the end, Dido/summoned her ladies in waiting/that they might see/the harsh destiny inscribed for her by the fates." The phrase "In the end" dooms the stanza to almost blase speech, which is almost bucked by the phrase "that they might," until the stanza ends with the prepositional pile-up "inscribed for her by the fates." Flat language and idioms...
...person pronoun, Gluck nonetheless maintains distance. Although a good deal of Vita Nova is devoted to the regenerating power of memory, the memories recounted are usually slight images of rooms and smells. Gluck reveals herself largely through allegory and the retelling of myth, so that the presence of "I" throughout her book creates an atmosphere of polite poetics that never takes readers into themselves...