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While he moved to Europe during the mid-century to escape racial prejudices against African Americans, he continued to work throughout this time, and “Moody’s Mood for Love” increased in popularity with jazz vocalist King Pleasure’s own 1954 rendition, Everett says...
...workers against the minimalist but functional set, pushing actors to intimately reveal their hardships in a way that elaborate stagecraft might have inhibited. Ortiz’s resourceful use of the space and careful showcasing of his actors’ talents help to maintain a swift pace throughout the production, as he unwaveringly focuses on the laborers’ struggles. Especially considering this is his first directorial effort, Ortiz exhibits confidence and ease in his work...
...lover while he is hospitalized is a prime example of this: this lover, a nun nonetheless, exclaims, “I’ll kill her; I’ll rip her ears off!” in an emotional explosion in reaction to Ida’s entrance. Throughout the entire film, emotions fail to flag...
...more scientifically based descriptions of nature. “Some of David’s Story” tells the account of a man named David as he falls in and out of love with his former lover. By specifying the name of this character and by including details throughout the poem, such as the specific kind of wines David discusses with his lover’s father, Hass brings to life what might otherwise be a somewhat mundane love story...
...father and an American mother.../ and at some point I had to choose, so I moved back to London and became the sort of person / who says puh-son instead of purr-son.” Hass carefully details the small stories of each of the characters who appear throughout his poems. This ability to create a convincing narrative seems to be, according to Hass, important for poets. After all, in “August Notebooks: A Death,” he claims that “the most reliable stories... are the ones the poets tell...