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...Ryan and myself are really good friends on and off the ice,” Richter said. “We’ve really competed hard with each other and pushed each other throughout the year...

Author: By Scott A. Sherman, CONTRIBUTING WRITER | Title: Junior's Efforts Come Up Huge | 3/9/2010 | See Source »

...BachSoc presented Prokofiev, Poulenc, Mozart, and the premiere of “Nightclub Scenes,” a student piece created for the orchestra’s annual composition competition. Because of its modest size, the performance was intimate and inviting, maintaining a high standard throughout...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

...Nightclub Scenes,” as it celebrated the classical period that influenced Prokofiev and Poulenc’s modern works. With Cohler conducting, BachSoc ended the Haffner Symphony with the exuberance that this work demands, as a final display of the refined sound that the orchestra conveyed throughout the night...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

...meaning Fish achieves with the present-day setting is negated by the baffling stark and technological aesthetic he forces on the show, which works against the script rather than with it. Videos projected onto a gigantic screen throughout the production are particularly off-putting. Even when the video works in a technical sense, it is distracting, unnecessary, and alienating. This is no fault of video designer Joshua Thorson, whose work is actually quite charming by itself. Rather, any video­—even as engaging as Thorson’s—simply makes no sense here, where...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...several odd moments during which characters speak into handheld microphones, the production comes off as cold, sterile, and preachy. The cavernous quality of the Loeb Mainstage only adds to this empty feeling. While the various scenic elements—designed by Andrew Lieberman—are visually striking throughout the three set changes, their scattered placement on the vast stage also underscores the emotional barrenness of the production...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

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