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Word: throughs (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Last week Pavarotti was back at the San Francisco Opera, starring in the season's opening production, Amilcare Ponchielli's La Gioconda. Once more there was drama and tumult. Profound tremors again swept through the house. But the intervening decade had made an enormous difference. This time Pavarotti himself was...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

That night the claque never materialized. Neither, in a sense, did Scotto's performance. Possibly unnerved by all the squabbling, she was not at her best vocally or dramatically. Pavarotti came through splendidly. Playing a 17th century nobleman who is enmeshed in a conflict with the Venetian Inquisition, he made...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

"But voice alone isn't what ensures a singer's immortality," says Rosa Ponselle, whose own niche in the soprano pantheon seems secure. "There's a certain something that makes its way across the footlights, sometimes even through the electrical circuits in a recording machine. Pavarotti has it." Ponselle believes...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

Stage presence is one thing, acting another. Pavarotti is often an indifferent actor, though in a broad role like the bumpkin in Donizetti's The Daughter of the Regiment he can be an effective comedian. His chief asset, especially in romantic roles, is his height, which offsets his distinctly un...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

How much did he weigh before? "More than now." Hence reports of his fluctuations spread through the opera world like a runaway Dow Jones average: up 25, down 80, up 60. But he realizes that if he remains too heavy he could undermine his robust health. Which is why he...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

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