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True to its name, the F.U.D.G.E. Theatre Group’s latest production, “Nevermore,” has certainly transformed my image of Edgar Allen Poe in an irreversible way. Nevermore will I see Poe in the same light. Nevermore will he simply be a talented but...

Author: By B. marjorie Gullick, CONTRIBUTING WRITER | Title: ‘Nevermore’ Reimagines Poe | 11/13/2009 | See Source »

It starts with the sound of the poet’s voice. That, after all, is really all one gets at such a performance. I’ve found that poets tend to have beautiful reading voices. It makes sense, given that their vocation requires them to be as intimate...

Author: By Adam L. Palay, CONTRIBUTING WRITER | Title: Rethinking Readings: Experience Precedes Analysis | 11/13/2009 | See Source »

It is through attention to the poet’s voice that you start listening to the words. The voice conveys the emotion and cadence of his expression, and so an interest in the words naturally arises. However oblique the concatenation of lines and images, the voice sustains your attention...

Author: By Adam L. Palay, CONTRIBUTING WRITER | Title: Rethinking Readings: Experience Precedes Analysis | 11/13/2009 | See Source »

RR: Is it hard work going through the whole movie picking out the best lines?

Author: NO WRITER ATTRIBUTED | Title: ROVING REPORTER: "Python-a-thon" | 11/13/2009 | See Source »

W.S. Gilbert and Arthur Sullivan’s “The Sorcerer,” running at the Agassiz Theatre through Sunday, is a rollicking romantic farce that centers on a magic love potion. As prepared by the Harvard-Radcliffe Gilbert and Sullivan Players, this theatrical elixir, despite somewhat...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

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