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...direct contrast to the sanity of "Real World" is the psychotic "Diane," Beginning as a love song with the narrator picking up a young girl, the song brings in--almost like a throwaway or sick joke--the horribly nasty line, "But I think I'll just rape you and kill you instead," and then proceeds into a strangely impassioned chorus. To pass off this unsettling song as a sick joke is too easy, and moreover, it would belie the fundamental message of the rest of the album. Rather, this song is both a frightening and frightened recognition of the violence...

Author: By Marek D. Waldorf, | Title: Force of Will | 2/10/1984 | See Source »

SOME SCENES are too simplistic even for a Bond film. World diplomats react to Largo's threat of nuclear holocaust like actors in a fourth-grade play, stiffly delivering throwaway lines like "This is the ultimate nightmare" and "I hope the American government realizes its large, large responsibility." And the producers are just a bit too casual in casting Bernie Casey as Bond's CIA buddy. Since Never's production company is not the usual Albert Broccoli crew, having different actors play the same roles is to be expected--in fact, Broccoli wouldn't let this movie...

Author: By John D. Solomon, | Title: Nobody Does It Better | 10/17/1983 | See Source »

...film sometimes wobbles in tone, and there is a certain strain involved in turning Donald and his criminal opponent into allies against rightist paramilitarists. But like all of Ritchie's best work (Downhill Racer, Semi-Tough), the film is full of shrewd throwaway behavioral observations. Sonny, for example, has a daughter (Kristen Vigard) who is a little compendium of spacy teen-age confusions; one minute she is watching porn tapes, the next she is trying to catch falling snowflakes on her tongue. Michael Leeson, who wrote scripts for the TV series Taxi, uses that show's mixture...

Author: /time Magazine | Title: Cinema: Beleaguered Sanity Toughs It Out | 7/4/1983 | See Source »

...demonstrated in last summer's Gregory 's Girl, Bill Forsyth is a master of the throwaway turnabout. Here, with a tenser situation and a somewhat richer mix of characters, he makes about the kind of advance one would expect from him, modest and self-effacing. Maclntyre (Peter Riegert), the acquisitions man from Knox Oil and Gas, may think of himself as "a telex man," all hard figures and bottom lines, but once in the field he is entirely capable of going all soppy about a wounded rabbit. His boss, Felix Happer (Burt Lancaster, expertly doing his clean...

Author: /time Magazine | Title: Cinema: Scotch Broth | 2/21/1983 | See Source »

...show Billy embarrassing photographs of Edythe and prevent their union. This "conflict" functions merely as a device to leave Billy and Edythe separated, but still in love, at the end of the first act. (Sometime during Act II, the Prince finally produces the photographs, which elicit only a throwaway line and an obvious joke from Billy.) Similarly, there exists little reason why, in the second act, Edythe flees to Morocco, taking the entire cast with her. Without an involving and sustained conflict, and with an equally unengaging resolution, the musical seems unanchored from the outset...

Author: By Richard J. Appel, | Title: 'S Not So Wonderful | 2/16/1983 | See Source »

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