Word: thrushes
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Dates: during 1990-1999
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...RICHEY Glimmer (Mercury). "From the ashes some glimmer of the truth appears," sings this veteran Nashville thrush. But her wise, smoky voice doesn't languish in the ashes of self-pity or revenge. There's buoyancy and gravity, musical variety and sneaky lyric craft in this endlessly listenable set. Glimmer glows...
Wouldn't it be great if we all had the wounded wisdom of a fine country thrush? Singers from Patsy Cline to Patty Loveless have lent their vocal courage and frazzled hearts to plaints about love with the wrong kind of guy. They are what has kept Nashville pulsing through decades of shifting fashion. But the town didn't suit Kelly Willis. After a few albums in the early '90s, she split for Austin, Texas. Her new CD, What I Deserve (Rykodisc), puts a sultry Lone Star spin on the country sound. This cowgirl can sing the blues...
...series also testifies to the stream of musical performers who haven't heard the form is dead. Why isn't there a new show each year for Martin Short, who wowed Encores! audiences in Burt Bacharach's Promises, Promises? Occasionally a supreme thrush like Judy Kuhn, Judy Kaye, Rebecca Luker, Faith Prince, Debbie Gravitte or Kristin Chenoweth gets a cushy job on Broadway, but few new shows give these beguilers a chance to wrap their pipes around classic pop. Encores! does (though it pays just $700 a week for stars and chorus boys alike). "I love the concept," says Williams...
...young star like Rimes. In the past few years country's familiar gents and studs have been pushing fewer CDs, and the ladies have been pushing them aside. Country would be in an even deeper funk if it weren't for Rimes and Shania Twain, the Canadian power thrush whose The Woman in Me sold 10 million copies. Their new albums--Rimes' You Light Up My Life and Twain's Come On Over, both of which have topped the charts--are more significant as product than as music...
...this Mariah Carey anyway? After seven years, seven albums and 12 number one singles, she has yet to carve out any specific identity or consistent persona. Her detractors say she is always the same insipid thrush. Her fans proclaim the virtues of "her voice" or "her songs," but rarely champion her. Even her critical reception has veered wildly between casual enthusiasm (1995's multi-Grammy-nominated Daydream) to outright damnation (1991's Emotions is consistently named her worst effort...