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...more and more instances, it threatens to replace it. The transformation has involved many factors: the dizzying speed with which news now travels, the way it is organized (or not organized), the emerging belief in the "objectivity" of news presentation and, above all, the quantity of information that is thrust at us. Where once there were several dozen news papers, plus books, correspondence and a pamphlet literature, Americans now have access to some 1,500 daily newspapers, more than 10,000 magazines, nearly 1,000 television channels and almost 8,000 radio stations. Of course, the bigger numbers reflect...

Author: /time Magazine | Title: Bicentennial Essay: From Sermons to Sonys: HOW WE KEEP IN TOUCH | 2/16/1976 | See Source »

WHILE SEVEN BEAUTIES does not say directly that survival through collaboration and murder is preferable to death in defense of human values, the whole emotional thrust of the film implies that conclusion. Certainly, Wertmuller presents the opposing case, but whenever characters speak against Pasqualino's point of view, they do so in abstract rhetorical terms without a context that could lend any human meaning to their arguments. When Pasqualino and Francesco argues that the two of them are as guilty as the Germans since they are doing nothing to prevent it. But this is simply an inauthentic rendition of stock...

Author: By Jonathan Zeitlin, | Title: Amare Macht Frei | 2/12/1976 | See Source »

Wertmuller's inability to represent political choices in a meaningful way reflects the violently anti-political thrust of her work. In each of her films, political principles are beliefs that characters adhere to abstractly, and which bear no relation to their lives. In fact, as her films unfold it becomes apparent that the characters' political principles are in conflict with their lifestyles; when they discover this contradiction, they abandon politics for the things that really make Wertmuller's universe revole; sex, emotions, and material ambition...

Author: By Jonathan Zeitlin, | Title: Amare Macht Frei | 2/12/1976 | See Source »

SINCE WERTMULLER sees politics purely as principles cut off from life, she can envision no way for people to chance the social conditions that structure their lives. Those conditions are thrust upon people by external forces entirely beyond their control, and for Wertmuller they can only choose how to submit to the situations that confront them pre-formed. Seven Beauties opens with black and white montage of World War II newsreels, clips of Hitler and bombings, which eventually leads into the wreck that allows Pasqualino to desert the troop train and plunges him into the Nazi inferno. The social conditions...

Author: By Jonathan Zeitlin, | Title: Amare Macht Frei | 2/12/1976 | See Source »

Singular Talent. Still has written about his preference for "the vertical rather than the horizontal; the single projection, instead of polarities; the thrust of the flame instead of the oscillation of the wave." This was partly meant to separate his work from the tradition of the School of Paris, which was all balance and harmonious composition. But in such remarks, as in the work, one catches the note of true terribilità that lies beneath the grumpy face Still turns to the public...

Author: /time Magazine | Title: Art: Prairie Coriolanus | 2/9/1976 | See Source »

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