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...Jimi Hendrix delivered right onstage. His hair frizzled as though by electricity, his scarves and sashes bobbing over sequined vests and velvet jackets in foppish disarray, he looked like a tripped-out savage impersonating a Carnaby Street dandy. His guitar was a throbbing phallic extension that he would caress, thrust at the audience, then set on fire at evening's end. The music was raw blues blasted out at maximum volume. Bursting on the rock scene in 1967 at the height of the acid-rock movement, Hendrix was a sensation: the first black superstar of mainstream rock. Three years...

Author: /time Magazine | Title: Music: The Hendrix Tapes | 9/2/1974 | See Source »

Withering Barrage. On the ground, Turk tanks rolled out of the Turkish section of the city they had occupied since the July 20 invasion and thrust toward the suburb of Mia Milea, astride the road to Famagusta 35 miles to the east. A withering barrage of mortar and artillery fire preceded the tanks, and the native Greek forces, outgunned and outmanned, were unable to slow their advance. By early afternoon, the Turks were almost halfway to Famagusta, the island's principal port, its third largest (pop. 43,600) city and the center of its usually booming tourist industry...

Author: /time Magazine | Title: CYPRUS: Bitter Hatred on the Island of Love | 8/26/1974 | See Source »

...Goldman does thrust us inside the soul of Lenny Bruce and of scores of people who nurtured, cared for, lionized or harassed and preyed on him. He does so without in the least sanctifying Bruce himself, and he renders dignity and wholeness to people whom Bruce scorned. Goldman employs the same narrative techniques and extremities of diction, the verbal overkill, that characterize a faulted New Journalism, but he uses them with a measure of critical judgment, detached reflection and craft that others lack...

Author: By Willy Forbath, | Title: The Greening of Albert Goldman | 8/20/1974 | See Source »

...campaign trail, Nixon gave the whole U.S. a good look at the sometimes ugly cut-and-thrust style he had developed in California, freely tossing about phrases like "Adlai the Appeaser" and "Dean Acheson's College of Cowardly Communist Containment." Nobody was to rise to such alliterative heights again for 17 years, when Nixon's own Vice President ("Nixon's Nixon," as Eugene McCarthy called Agnew) started talking about "nattering nabobs of negativism" and the like...

Author: /time Magazine | Title: THE NIXON YEARS: DOWN FROM THE HIGHEST MOUNTAINTOP | 8/19/1974 | See Source »

Perhaps no living painter has ever been thrust into such notoriety by a novel as Moreau was by the publication of J.K. Huysmans' manifesto of decadence, A Rebours, in 1884. Moreau was then 58, a Parisian born and bred, praised in the salon, an officer of the Legion of Honor, a mature and respected figure with a strong academic bias. The fictional hero of A Rebours, that absurd purple monster des Esseintes, was described as owning two of his paintings. One was the elaborate Salome Dancing Before Herod, 1876 (see color page...

Author: /time Magazine | Title: Art: Gustave Moreau | 8/19/1974 | See Source »

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