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...questions as smoothly as a sure-handed shortstop, turning a few heckler's hot line drives into quick double-plays. This night, however, Mailer was less the athlete. He took a fighter's stance, to be sure, his left (or non-drinking) hand shooting out sharp jabs, a shoulder thrust forward and the curly graying head pulled in protectively as a close neighbor to the shoulders. He hooked the New York Times for its general timidity or unimaginative misinter-pretations; he bloodied the nose of technology for its spiritless contributions; he pillowed ideological liberals before abandoning them in a neutral...

Author: By Larry L. king, | Title: A Former Nieman Looks Back, Part II Mailer and Styron at Harvard | 10/3/1970 | See Source »

Weather could be a factor today. If it rains, the Crimson passing attack could sag and then the offensive thrust would depend almost solely on the line's ability to forceably remove the Knights. Nothing negates speed and quickness more easily than...

Author: By Robert Decherd, | Title: Crimson Gridders Host Rutgers | 10/3/1970 | See Source »

...Down in Darkness, published in 1951, was probably the one book that hardened my vague resolve to one day try my own writing hand. In a time when my household bills were not easily met, I thought nothing of buying multiple copies of that book to be thrust upon friends with commands that it be immediately read. Norman Mailer's early novels made their own strong impressions: I came to consider Mailer the American writer who best understood our society as it marched crazily through the present toward that outer rim falling away to fiery voids; he foresaw bits...

Author: By Larry L. king, | Title: Mailer and Styron at Harvard | 10/2/1970 | See Source »

Dynamic Black Studies programs, with sincere, realistic students and Faculty, should be the fountainhead of a new social thrust toward eradicating the effects of racism in America...

Author: By Lee A. Daniels, | Title: Black Studies Department Reflects a Decade of Change | 9/24/1970 | See Source »

...group's second recording, Abraxas, released this week by Columbia Records, shows less propulsive violence than the first, Santana. What it offers instead is a rare poetic delicacy. Rhythms move in parallel layers, interrupting, overlaying, penetrating one another, multiplying into mathematical complexity, finally merging into one overwhelming musical thrust. Unlike many rock groups, Santana uses lyrics rarely, avoiding cultural ferment in favor of musical bite. Though it offers an occasional vocal solo (as in the bluesy Hope You're Feeling Better), most of its featured solos are on electric guitar, organ or electric piano. Outwardly innocent, Santana...

Author: /time Magazine | Title: Music: Latin Rock | 9/21/1970 | See Source »

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