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...steady tones glare outwards without suggesting any space for the eye to travel. Though it is difficult to conceive of a flatter picture, it is almost impossible not to see a special relationship between any two colors placed on the same surface. In their simplicity, the chevrons of Noland, thrust across the canvas, are impossible to forget. As the painted surfaces become flat, artists like Frank Stella give shape a new importance. His pin-striped canvases become parallelograms or odd geometric shapes...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

...play any other way, (A high-point of the New York concert was he and Jagger in a between-songs duet; Jagger would yell, "Alright !" and Charlie would respond with masterful drum riffs.) Laid over the percussion are Wyman's restrained bass lines, and this combination provides the thrust and visceral power of the Stones' music. With the drum/bass as floor, the two guitars fight for control, continually re-emphasizing the forward thrust of the bass, while Jagger's alternately sneering and raging tones proclaim through this wall of sound the primal savagery the Stones have always represented. The famous...

Author: By Joel Haycock, | Title: The flea-bit painted monkey Got Live If You Want It | 12/9/1969 | See Source »

...fluent bassist unseduced by the primordial roar or steadfastness of his instrument. but attracted rather to its opportunities for polyphony. Drummer John Bonham's distinguished use of syncopation unifies, maintains, and elucidates each song. Finally, vocalist Robert Plant provides a fourth instrument which counterpoints and impels the gathering thrust of each song. Plant has a theatrical, coruscating voice capable of a range of tones and speech rhythms equalled only by Paul McCartney. Plant is mainly responsible for raising Led Zeppelin above such groups as Cream, Procol Harum, and Blind Faith...

Author: By Chris Rochester, | Title: The Rock Freak Led Zeppelin II | 12/3/1969 | See Source »

...space scientists had long expected the launch of a new Russian super rocket, a vehicle with a thrust of 10 million pounds (compared with the Saturn 5's 7.5 million pounds) that would put the Russians firmly back into the space race. Spy-in-the-sky satellites had actually photographed the monster rocket on its launch pad, and former NASA Administrator James Webb had spoken of its existence. But last summer, according to U.S. intelligence sources, a prototype of the giant booster exploded on the launch pad at the Tyuratum space complex in Central Asia, killing a number...

Author: /time Magazine | Title: The Moon: Disaster at Tyuratum | 11/28/1969 | See Source »

...Theory. As kick-off speakers, the Russians did not make any startling proposals. Instead, they seemed eager for the U.S. to take its turn. The Soviets were probably taken aback by the candor and completeness of the American presentation. As TIME Correspondent John Steele reported from Helsinki, the whole thrust of U.S. tactics is to 1) convince the Soviets of the devastating strength of America's weaponry, and 2) persuade them that the U.S. seeks only a retaliatory second-strike capability that would be used in the event of an enemy attack...

Author: /time Magazine | Title: World: SMILES AND SUSPICION AT SALT | 11/28/1969 | See Source »

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