Word: thulin
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Dates: during 1960-1969
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Night Games is ostensibly the case history of a mother complex. The man who has it (Keve Hjelm), a wealthy young Swede, revisits the house he grew up in and invites a moral conflict between the memory of his profligate mother (Ingrid Thulin) and the love of his innocent fiancee (Lena Brundin). In a series of what might be called flesh-backs, the man-as-boy (Jorgen Lindstrom) wanders in memory through a child's garden of sexual reverses. Among the obscene scenes: his mother summoning a crowd of drunken guests into her bedroom and letting them watch while...
...jacket all splayed out upside down on an opulently embroidered bedspread, wearing one slipper, two fancy garters, and what used to be called a ball gown. Night Games, however, was made as a film before it could be read as a novel, so the movie, starring Ingrid Thulin, provided the dust-jacket come-on. The rest of the come-on is Mai Zetterling, a talented and glamorous 41-year-old Swedish actress who wrote the book and directed the film. A screening of it was banned for public exhibition at the Venice Film Festival by the Italians, who tend...
Return from the Ashes borrows polished Actress Ingrid Thulin from Ingmar Bergman's glittering stable, and puts her to posture in one of those lady-in-a-jam thrillers, impossible to believe but easy to enjoy. With a script that gives her lucid intelligence little to fasten upon, Actress Thulin often seems well beyond the wit's end of the character she plays-a Jewish doctor who returns to Paris after World War II, eager to pick up her successful practice and her ne'er-do-well young husband...
...SILENCE. A tortured lesbian (Ingrid Thulin) and her nymphomaniac sister (Gunnel Lindblom) dominate Ingmar Bergman's bold, beautifully acted drama-though a child and an old man furnish scraps of evidence that the human condition may not be hopeless...
...sophisticated version of hide-and-go-seek. Because the experience is the opposite of. aesthetic, Bergman's talents seem much better after leaving the theatre. Once settled in his favorite coffee shop, the new critic will have fun exploring the film's cornucopian symbolism. Two sisters, Ester (Ingrid Thulin) and Anna (Gunnel Lindbloom), and Anna's little boy, Johan (Jorgen Lindstrom), interrupt their railroad trip in a strange country where a strange language is spoken, because of Ester's strange coughing fits. They rent a room in a hotel with long corridors and no other guests (except for the midgets...