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Visconti's style is extravagant and non-realistic, as you see when green begins to tinge the edges of characters' faces and collect in pools on the Essenbeck mansion's parquet floor. God knows the bedroom scene between power-crazed Ingrid Thulin and her contrite Bogarde employs dialogue no real person ever uttered. Visconti offers us human passions and errors on a grander scale than the realistic. Thus his blocking of scenes, which is heavy and slow, focuses dramatic energy inward onto the relationships of the Essenbeck family. Visconti's mise-en-scene is equally grandiose, incorporating massive interiors...

Author: By Mike PROKOSCI I, | Title: The Moviegoer The Damned at the Cheri Theater | 3/4/1970 | See Source »

...sure, Visconti has indulged himself to the fullest: he takes his sweet time in depicting each sick ritual of his metaphorical family. But while you may be revolted by it, you might love it-and, God, in either case, there is no chance you will forget it. Ingrid Thulin, Dirk Bogarde and a fine actor named Helmut Berger star...

Author: By Frank Rich, | Title: The Moviegoer Ten Best Films of 1969 | 1/9/1970 | See Source »

...Joachim, head of the vast Von Essenbeck steelworks on the Ruhr. Gathered around the birthday table are Martin, the Baron's deviate grandson (Helmut Berger), an off-again, on-again faggot with an occasional taste for whores and five-year-old girls; Martin's mother Sophie (Ingrid Thulin), a glacial blonde castrator, with her power-hungry lover (Dirk Bogarde); and assorted relatives who reveal such minor personality flaws as criminality, sadism, cowardice, and a timely penchant for Nazism...

Author: /time Magazine | Title: Cinema: The Rottenest Clan in Nazidom | 1/5/1970 | See Source »

...Left. At some schools, students whose birth dates fell in the last third to be drawn thought about dropping out of school. "One reason I'm at Stanford is to keep out of the draft," said Thulin. "Now I can take some time off and not worry." Others with high numbers looked for ways of getting out of ROTC programs in which they had originally enrolled in an attempt to beat the draft...

Author: /time Magazine | Title: The Draft: The Luck of the Draw | 12/12/1969 | See Source »

...drawing felt that the new system was fairer than the old, many found fault. "It's involuntary servitude," said Grossman. Those opposed to war are also worried about the lottery's effect on the protest movement. "People with high priority numbers seem resigned to go in," said Thulin, "and people who are free seem self-satisfied. Who's going to be left to criticize the draft...

Author: /time Magazine | Title: The Draft: The Luck of the Draw | 12/12/1969 | See Source »

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