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Word: thunderbolts (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...thunderbolt had hit our path...

Author: NO WRITER ATTRIBUTED | Title: Stories and Poems | 10/23/1964 | See Source »

Once a leading and lucrative aircraft company, Republic turned out the P47 Thunderbolt in World War II, the F-84 Thunderjet for Korea and lately the F-105 interceptor-bomber. But the F-105 contract ends this year, and Republic has been groundspeed slow in diversifying into other defense and space areas. Its earnings last year were $3,600,000 on sales of $362 million; this year sales will be below $300 million-and losses are certain. "The first job," says Uhl, 46, "will be to cut Republic down to size." He intends to reduce personnel and plant to that...

Author: /time Magazine | Title: Management: Slow-Motion Dream | 9/18/1964 | See Source »

...assistant in a mostly Negro parish in Compton, an industrial suburb of Los Angeles. Impressed by his parishioners' passionate concern for equality, Father Du Bay did a slow burn. One morning fortnight ago, he said Mass, then went to the Greater Los Angeles Press Club and loosed his thunderbolt against the cardinal. He spent the rest of the day, heart in mouth, teaching some of the parish kids how to play a game called "Steal the Bacon...

Author: /time Magazine | Title: Roman Catholics: A Question of Leadership | 6/26/1964 | See Source »

Henry V. Something resembling a thunderbolt is heard offstage. Out of nowhere, what seem like a hundred men are shouting, sweating, straining as they haul a cannon to stage center. It belches smoke. It is hidden in smoke. The whole theater is going up in smoke. A man has mounted the cannon, but it is difficult to see him, let alone hear him. He is King Henry V (George Grizzard), and what he is saying is, "God for Harry, England and St. George." What the scene is saying is-the prop's the thing...

Author: /time Magazine | Title: Theater: Hit & Miss in Minnesota | 5/22/1964 | See Source »

...Venice in 1951. That year the least promising item on the cinemenu was a Japanese picture called Rashomon. Japanese pictures, as all film experts knew, were just a bunch of rubber chrysanthemums. So the judges sat down yawning. They got up dazed. Rashomon was a cinematic thunderbolt that violently ripped open the dark heart of man to prove that the truth was not in it. In technique the picture was traumatically original; in spirit it was big, strong, male. It was obviously the work of a genius, and that genius was Akira Kurosawa, the earliest herald...

Author: /time Magazine | Title: Cinema: A Religion of Film | 9/20/1963 | See Source »

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