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Word: thunderbolts (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...hopeless ambition in landscape design, which is always a product of its time. So the Weiss/Manfredi design for the Seattle park, with its pulsing tectonics and dynamic lines, is clearly a product of late 20th--early 21st century thinking, the era of Zaha Hadid and Daniel Libeskind and their thunderbolt architecture...

Author: /time Magazine | Title: Architecture: Walk on the Wild Side | 1/18/2007 | See Source »

...Life and Times of the Thunderbolt Kid,” by Bill Bryson...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: BY ITS COVER: Thunder Rolls | 11/15/2006 | See Source »

...Then, without warning, came a thunderbolt. An old-fashioned stage direction might introduce it like this: Old enemy king-hits writer. Depression. Gurr thought he was winning the arm-wrestle of writing one of his plays when it struck. "The marrow turns tepid, the skin spongy, the eyes dry, the feet stepping ahead in a flat counting-to-ten kind of way," he writes. "You begin to identify with inert objects. A fence post, a wardrobe, a cut stump in the park. You see these things and see yourself in them: a dead thing with a faint memory of flowing...

Author: /time Magazine | Title: Man Stripped Bare | 10/30/2006 | See Source »

...life, but he caught a break after his death when Grisham read his obituary. "I love the obituaries," he says. "Lot of times, that's the only thing I read in the New York Times if I'm in a hurry." Williamson's story hit him like a thunderbolt. Grisham writes on a strict and orderly schedule: he likes to start a book every August and finish it by Thanksgiving. Williamson died in December 2004, when Grisham had just finished The Broker, and he didn't want another book to write. But there was something about Williamson's life that...

Author: /time Magazine | Title: Grisham's New Pitch | 10/9/2006 | See Source »

...competition to design the addition to Denver's principal art museum, which its director, Lewis Sharp, was pushing to expand into a more significant institution. At the time, Libeskind, now 60, had completed just one major commission, but that building was the Jewish Museum, an architectural thunderbolt that would be endlessly talked about, contested and studied for its zigzag configurations. It took a leap of faith for Sharp and his trustees to place what would become a $90.5 million project in the hands of an architect in love with tilted walls and corkscrewing interiors. But it was a gamble that...

Author: /time Magazine | Title: As Sharp As It Gets | 9/3/2006 | See Source »

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