Word: thundered
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Dates: during 1970-1979
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...Hawaiian members of Protect Kahoolawe Ohana are no more representative of the Hawaiian people than the "smattering of white liberals" your correspondent mentioned. The movement, which apparently began as a publicity stunt to steal some of the American Indians' thunder, would be ridiculous were it not so tragic. The Ohana want to turn back the clock...
...Eastland arrived for more of the same. At week's end, some 2,000 American Zonians, mainly employees of the Panama Canal Company and members of their families, staged an anti-treaty rally in Balboa Stadium, but Strongman Omar Torrijos Herrera had robbed them of much of their thunder at a meeting of Panama's toothless legislature earlier in the day. Torrijos praised Carter and exhorted voters to turn out in the national plebiscite on the canal agreements...
...almost totally obsessed by his religion. Rather than accept his brother Joel's view of a charitable, merciful Christ, Ervil bases his belief on a preference for the wrathful God of the Old Testament. Says Polygamist Harold Blackmore of Utah: "He's always preaching this blood and thunder stuff-you know, if people don't live the civil law [of Ervil's God], cut their heads off. He is very pugnacious, but is also a smooth-tongued type." Residents of the Mexican villages where LeBaron has been hiding out since May describe him as loco...
...only trouble with this happy tradition is that the pageant is tainted with antiSemitism. The florid script that has been in use since 1860 reflects the peasant theater of that time, when plots were full of blood and thunder, and villains were wildly villainous. Thus it not only blames the Jews for Jesus' death but turns them into a snarling mob. Even after World War II, the church approved the continuation of the pageants, but since the Second Vatican Council's condemnation of antiSemitism, the caricatures at Oberammergau have become something of an official embarrassment...
...that it is extremely doubtful if so prodigious an undertaking could have succeeded without an actor of Ian Richardson's scope and power. His voice is like the trumpet of the Lord at the Second Coming. He can insinuate like a violin, wheedle like a clarinet and thunder anathemas like a great bass drum. And alongside that, Richardson maintains a physical counterpoint of impish comic invention, which is an equally essential element of the Shavian rhetoric...