Word: thundering
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...film's musical sequences were recorded during Dylan's Rolling Thunder Revue of 1975-76 when he barnstormed the continent with other illustrious troubadours. Unfortunately, the concert foot age accounts for less than half of the movie's four-hour running time. The rest consists of improvised fictional scenes that are meant to impart Dylan's metaphysical view of the universe and himself - though not necessarily in that order. Dylan plays a masked entertainer named Renaldo...
From the man who wrote "The Late Show" and "My Opening Farewell,' tripe like this is awfully sad to hear. "Love Need a Heart," a Lowell George composition, is an endless dirge indistinguishable from any nine Linda Ronstadt songs. "You Love the Thunder" is a faceless, mindless rocker in the mold of "Redneck Friend," but lacking the wit. It's a humorless song--and without a sense of humor, upbeat L.A. rock can be terribly dull...
...sorcery was soon at work. The concerto's immense hurdles (lightning-fast chord sequences, densely complicated ornaments) were leaped smoothly, and the occasional moments of romantic treacle were turned into pure honey. Cascades of notes ar ranged themselves in perfect, multicolored symmetry. The fortissimo climaxes arrived like evening thunder. Nobody else can hit a piano that hard and produce something more than an ugly...
...often the game-breaker in the N.F.L. this season. Often that play comes from the little men, especially on kickoff and punt returns. Many teams carry a diminutive run-back specialist on their rosters. As fearless as they are frail-looking, they await the ball amid the growing thunder of approaching tacklers. Momentarily obscured by a wall of blockers, they duck toward the sidelines in a suicidal dash toward glory. Johnson, who is the only N.F.L. player to return both a kick and punt for touchdowns this season, views his tiny stature as an advantage: "It can be a psychological...
...Bruch's Violin Concerto No. 1 in G minor, the orchestra was joined by soloist Stephen Chan. The concerto includes the traditional three movements; the first has something of the quality of a dramatic dialogue, alternating the tragic declamation of the solo instrument with the orchestra's solemn thunder. Chan played with technical elan but a rather lifeless tone that occasionally made it hard to distinguish him from the rest of the orchestra. But he was more in command of the languorous Adagio which followed. This exquisite lamentation is less a dialogue than a duet, with the solo instrument soaring...