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Guilt is running nudity a close second at theater box offices. Flesh peddling is relatively honest, since it makes no particular pretense of moral grandeur. But when the clink of commerce purports to be the thunder of conscience, all sorts of hypocrisies begin masquerading as virtues...

Author: /time Magazine | Title: New Plays: The Guilt Glut | 10/24/1969 | See Source »

DuBois, died self-exiled in Ghana just six years ago. DuBois composed the poem that here accompanies and reveals the hidden thunder of Bellows' Both Members of This Club. Again, it was DuBois who wrote the classic prose statement of what lies deepest in black blues: "After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son born with a veil and gifted with second sight in this American world-a world which yields him no true self-consciousness, but only lets him see himself through the revelation...

Author: /time Magazine | Title: Art: TWO IN ONE BODY | 10/3/1969 | See Source »

...during Jordanian rule. What did matter was that, because millions of Arabs reflexively held Israel responsible for the latest fire, guerrilla organizations were strengthened in their hard-line anti-Israeli positions. Arab governments adopted correspondingly tough stances in an effort to match the extremists' thunder...

Author: /time Magazine | Title: World: STOKING THE ARAB-ISRAELI FIRES | 9/5/1969 | See Source »

...pyramids or the Mayan cities or the great carved heads of Easter Island? After all, asks Däniken, are not the legends of many lands filled with stories of godlike visitors from the sky, riding in fiery chariots or on iron wings, arriving like "birds of thunder"? Indeed, the book's only illustration is drawing of an ancient stone carving found in Mexico in 1935. It looks remarkably like a figure bent over an instrument panel in a space capsule...

Author: /time Magazine | Title: Pop Theology: Those Gods from Outer Space | 9/5/1969 | See Source »

...turned out, no one need have worried. The Devils was cheered at Santa Fe. There was even help from an unexpected source: precisely at the moment when one of Penderecki's characters shouted "God is dead!" there came a clap of thunder and a storm enveloped the theater. The audience was as impressed by the opera as by the incident. But despite its effectiveness, The Devils seemed episodic, eclectic, and the complex Penderecki (pronounced Pen-der-ete-key) score sometimes trod meekly behind the drama instead of forcefully alongside it. What gave absolutely no grounds for complaint were...

Author: /time Magazine | Title: Opera: The Devils and Reardon | 8/22/1969 | See Source »

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