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Aside from such timing gimmickry, the most promising innovation this season will come from NBC: My World and Welcome to It, a sitchcom about a cartoonist (William Windom) who daydreams. NBC promises that the show will include animated cartoons in James Thurber style...

Author: /time Magazine | Title: Television: Year of the Unspecial | 8/15/1969 | See Source »

During its six years on the air, Children's Theater has practiced what Heinemann preaches. It has talked up to children with such varied fare as a musical version of James Thurber's fantasy Quillow and the Giant, a dramatic adaptation of E. B. White's classic Stuart Little and an hour of music by the Boston Pops Orchestra. Earlier this year Theater presented a ballet version of Little Women narrated by Geraldine Page...

Author: /time Magazine | Title: Specials: Talking Up to Children | 6/27/1969 | See Source »

...livery of servants. Previously, his restlessness pushed him for varying periods into 30 residences around the world as well as into a sloop on which he cruised through Europe. Simenon even had an American interval: five years in Connecticut during which he shared a barber with James Thurber. "How lucky you are not to have literary cafés in America," Simenon said last week. "In France, they think I'm a barbarian because I don't mix with other writers...

Author: /time Magazine | Title: World: A Happy 200th to Simenon | 3/14/1969 | See Source »

...even has some clever acting. The problem is, the film has no purpose. A movie like this, a cultural spectacular, with respected stars, cleaning up Oscars as it no doubt will, ought to have some reason for being done. The Lion in Winter just brings to mind James Thurber's epigram: "The world is full of such a number of things, I'm sure we should all be as happy as kings--and you know how happy kings...

Author: By David W. Boorstin, | Title: The Lion in Winter | 12/20/1968 | See Source »

...like the idea of funny fiction," says Wilfrid Sheed. "When I started writing, my first impulse was toward humor, but I soon learned that I wanted to use it for serious purposes." Sheed's first models were the "flat but musical" styles of such Americans as James Thurber and Sherwood Anderson; later, he added the English writers Cyril Connolly and E. M. Forster. Now he describes his fictional ideal as "Flaubert and James with the language of Wodehouse and Perelman...

Author: /time Magazine | Title: Books: Sheed's Specters of the Past | 9/20/1968 | See Source »

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