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Onscreen, John Travolta had just raised an Adrenalin-filled hypodermic needle above the comatose body of Uma Thurman and, with desperate force, plunged it straight into her heart. In the audience at New York City's Lincoln Center, where Quentin Tarantino's Pulp Fiction was being shown, a young man watched this scene and passed out. "Is there a doctor in the house?" someone actually asked. The film was stopped for nine anxious minutes before the announcement came: "The victim is just fine...

Author: /time Magazine | Title: A Blast to the Heart | 10/10/1994 | See Source »

Just ask Bruce Willis, one of a half-dozen actors (along with Travolta, Thurman, Samuel L. Jackson, Ving Rhames and Harvey Keitel) who found some of the juiciest roles of their careers here: "You can say the most intellectual thing about Pulp Fiction and be right. But it also works for the trailer-park kids." It surely ought to work for those viewers lulled these many years by cinema soporifics. For 2 1(R)2 teeming hours it hits you like a shot of Adrenalin straight to the heart...

Author: /time Magazine | Title: A Blast to the Heart | 10/10/1994 | See Source »

Then BLAM!, the Wild Bunch hit town. On the festival's final Saturday, John Travolta, Bruce Willis, Samuel L. Jackson, Uma Thurman and other performers from the American thriller Pulp Fiction brought some big-time, macho-and- mayhem, Uzi-in-your-gut star quality to Cannes. Quentin Tarantino, who made the sanguinary Reservoir Dogs, wrote the script and directed the film at a hurtling pace, displaying a steely assurance in his storytelling and a gift for placing scary violence at unexpected moments. When the film was shown, it was as if Tarantino were telling Cannes, "O.K., nap time is over...

Author: /time Magazine | Title: Saturday Night Fever | 6/6/1994 | See Source »

...fate worse than death? (With luck and honor.) How do you date your gang boss's wife? (Very carefully.) How do you remove those telltale blood stains from the backseat? (Very quickly.) Spinning delirious variations on familiar film noir conventions and pulling career-best performances from < Travolta, Willis, Thurman and especially Jackson as a Bible-spouting sociopath, Tarantino makes a smart, fatal movie. It's Die Hard with a brain...

Author: /time Magazine | Title: Saturday Night Fever | 6/6/1994 | See Source »

...from her police protection during the St. Patrick's Days parade. It's hard to shake the idea that a great deal of "Blink" is lifted from other films. Take "Blink's most recent predecessor, "Jennifer 8," for example, which recounts the same tale, but with better acting. Uma Thurman's cross-eyed, blank gaze and way of seeing right through people outclass Stowe's blind woman rendition. Since Stowe can't get the right look in her eyes, she distracts our attention by repetitively rubbing her oh-so-sensual mouth...

Author: By Katherine C. Raff, | Title: Flirting, Fucking, Fight | 2/24/1994 | See Source »

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