Word: tibbett
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Dates: during 1930-1939
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...Wilhelm Furtwängler will conduct them both. Besides Beecham, conductors include such notables as Artur Rodzinski, John Barbirolli, Fritz Reiner. Francesco Sain. Eugene Goossens will conduct the world premiere of his Don Juan of Manara, an opera he wrote to the late Arnold Bennett's libretto. Lawrence Tibbett will have the title role, after making his European debut in Tosca...
...Thomas, for managing what should be its most successful opera season. For the first time in their history the Paris Grand Opera and Opéra-Comique will assist there. Metropolitan participants alone include Kirsten Flagstad. Gina Cigna, Kerstin Thorborg. Lauritz Melchior and John Brownlee as well as Tibbett and Martinelli. Sir Thomas once lost ?1,000,000 of his own in opera. Aloof, disdainful, he ignores summonses and hotel bills, brings audiences to their feet when he leads the London Philharmonic, estranges them when he calls Britons the most unmusical people in the world. Last year Sir Thomas locked...
...full cast had gathered in the Opera House to rehearse for the 40th time the third act of Richard Hageman's Caponsacchi, scheduled for its U. S. première this week. Baritone Lawrence Tibbett was singing the role of murderous Count Guido who stabs to death his wife and her parents. As he pretended to kill old Pietro, he turned his knife aside in traditional opera style, accidentally slashed Basso Joseph Sterzini between the thumb and forefinger. Sterzini pooh-poohed his wound, wanted to finish the scene. Tibbett, his friend for 15 years, had a tourniquet applied...
...debut singing Violetta in Verdi's La Traviata. Even then they felt a little uneasy about her pitch. In Rigoletto her colorless, inexact rendition of the great Caro Nome and her literal, lifeless acting convinced few that she was the outraged, unhappy daughter of a court fool. Lawrence Tibbett was more imaginative as her hunchback father, used his strong baritone with an accuracy that seemed almost reproving...
When Rigoletto was repeated last week. Soprano Bovy proved that she could sing truly if not more evenly, but she still seemed pathetically unequal to Tibbett. A German opera saved the week from mediocrity, when Wagner's Flying Dutchman was put on for the first time in five years. Save for Hans Clemens, who sang the Steersman in the last production, all the principals were new to the Metropolitan in their parts. Flagstad took the role of Senta for the first time in her career and made it unforgettable. Warmest praise went to Baritone Friedrich...