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STALKER'S CRUCIFIXION by Tenor Richard Crooks, Baritone Lawrence Tibbett, Organist Mark Andrews and Manhattan's Trinity Choir (Victor, $9)-For those who want their Easter music more orthodox than Wagner conceived it; recommended more for the excellence of its recording than for its musical substance...

Author: /time Magazine | Title: Music: Collegians | 3/17/1930 | See Source »

...concert manner has warmed, his box-office value increased. Conversely, names which will be worth more next year are Negro Baritone Paul Robeson (TIME, Nov. 18) and Pianist Jose Iturbi (TIME, Dec. 30), the outstanding successes of the season; Singers Rosa Ponselle, Elisabeth Rethberg, Sigrid Onegin, Florence Austral, Lawrence Tibbett, John Charles Thomas, Pianist Vladimir Horowitz...

Author: /time Magazine | Title: Music: Market | 2/17/1930 | See Source »

...Dawning" at her sister Emily's wedding. On the way she confided to pressmen that in her sound film debut, recently arranged for, she would appear as the late, great, prudish Jenny Lind. Her second picture will probably be The Merry Widow, made jointly with Baritone Lawrence Mervil Tibbett...

Author: /time Magazine | Title: People: Feb. 3, 1930 | 2/3/1930 | See Source »

...tale of love and hate so limp. Passion never touches the audience, which is delighted whenever Comedians Laurel & Hardy and buttocks of the horses in their care intervene to provide raucous merriment. By the success of this humor Director Barrymore reveals his failure in the main chance. And Tibbett can never be called the singing Douglas Fairbanks until his way with both horses and women is at least the equal of his attendant clowns...

Author: /time Magazine | Title: At Grauman's Chinese | 1/27/1930 | See Source »

...Tibbett. His father was sheriff of Kern County, Calif, at the time of the oil boom. Lawrence, born in 1896, found out in the Manual Arts College of Los Angeles that he could sing. He studied with Frank La Forge in Manhattan, served in the Navy, married, got a job with the Metropolitan Opera Company. One night in 1925 an odd thing happened to him. He was sitting in his dressing room after the second act of Verdi's Falstaff-his aria, "E sogno," had ended the act. He heard the house applauding but thought they wanted the Falstaff...

Author: /time Magazine | Title: At Grauman's Chinese | 1/27/1930 | See Source »

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