Word: tibbetts
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...Lucien Cailliet, a jolly bespectacled Frenchman, known by Philadelphians as one of their regular clarinetists. After Cailliet's Bach came Mozart's Fourth Violin Concerto with Fritz Kreisler as soloist, forerunning such headliners as Josef Hofmann, Sergei Rachmaninoff, Kirsten Flagstad, Vladimir Horowitz, Mischa Levitzki, Jascha Heifetz, Lawrence Tibbett, Artur Schnabel, all sure bait for customers not altogether sure of a youthful new conductor. Fritz Kreisler's spell was sure, while Ormandy kept courteously to the background for the 61-year-old fiddler who, according to his irrepressible wife last week, "would be good if he would only...
...American Guild of Musical Artists' first public gesture apparently made a favorable impression on the Immigration Committee. Probably the only trade association ever formed on a fairway, the Guild was born when Baritones Tibbett and Frank Chapman, Gladys Swarthout's husband, went to Englewood, N. J. for a golfing holiday in 1933, spent their time talking musical politics and economy instead. Formally launched last April, the Guild has 115 charter members whose names, accustomed to appear in electric lights, include: Jascha Heifetz, Efrem Zimbalist, Alma Gluck, Lily Pons, Rosa Ponselle, Mischa Elman, Lucrezia Bori, George Gershwin, Grace Moore...
...Washington, D. C. last week went Baritone Lawrence Tibbett, not to sing but to lobby. As president of American Guild of Musical Artists, Inc., Mr. Tibbett sought the ear of the House Immigration Committee. Chairman of that committee is a citizen of Manhattan's lower East Side named Samuel Dickstein, who made his political reputation framing tenement and kosher food laws. Mr. Tibbett had come to persuade Mr. Dickstein & committee that the present arrangement by which foreign musical artists are permitted to perform in the U. S. is far from kosher to the musical profession...
...time only those who had tickets clasped tightly in hand stood a chance of being admitted to Manhattan's Metropolitan Opera House. Nowhere else in the world was there such a line-up of singers as the one announced for that evening. It included Flagstad, Melchior, Rethberg, Ponselle, Tibbett, Martinelli, Pinza, Crooks, Rothier, Nino Martini. Like the audience, the singers were there for only one purpose: to pay homage to Lucrezia Bori who was singing her farewell on the Metropolitan stage...
...roles which she has made peculiarly her own, Bori said her goodby. First she was Violetta in La Traviata, sacrificing her happiness on the plea of the elder Germont who was Tibbett bewigged. At the end she was graceful Manon, beguiling Tenor Richard Crooks until he gave up all thought of becoming a cleric. With what appeared to be the final curtain the audience was on its feet wildly cheering. But there was more to come. Stage had been set for the garden scene in Traviata. Flowers were everywhere. While members of the company stood by respectfully, Bori received rich...