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Naturalists might look to the river. The Charles, like the Cam, the Tiber and the Tigris before it, carries a hefty symbolic weight (along with a number of dirty secrets). Its banks provide ample ground for strolling, musing, jogging and Pointillist flights of fancy; its water gives necessary distance from the quotidian city. And its lovely bridges pay homage to generations of Harvard successes...

Author: By Maryanthe E. Malliaris, | Title: Groves of Academe | 2/5/2001 | See Source »

...Lorenzo Bernini: Sketches in Clay, in a permanent collection gallery of the Fogg Art Museum celebrates the quartercentenary of Bernini's birth. The works on display are studies for some of Bernini's most important projects, including the design for the sculptural decoration for the Ponte Sant' Angelo, the Tiber River bridge for pilgrims approaching St. Peter's Basilica and the architectural and sculptural setting for the Ecstasy of Saint Teresa...

Author: NO WRITER ATTRIBUTED | Title: Beautiful Bernini Exhibition Enchants the Fogg | 3/13/1998 | See Source »

...Superscription is the Angel Holding the Crown of Thorns. Though Bernini himself sketched the clay ideas for several of the angels that now adorn the Ponte Sant' Angelo, the marble statues themselves were carved under his direction by his pupil Lazzaro Morelli. Another of the clay sketches for the Tiber River bridge project, the Angel Holding the Tabernacle is an exquisite metaphor in terracotta for the power of divine influence...

Author: NO WRITER ATTRIBUTED | Title: Beautiful Bernini Exhibition Enchants the Fogg | 3/13/1998 | See Source »

...capital of Italy eventually did rise up off the banks of the Tiber. For the Crimson, only the future can tell...

Author: By Eric F. Brown, | Title: W. Water Polo Falls at NCAAs | 5/17/1995 | See Source »

...concept of a "mainstream" is a phantom, an artifact of overcategorizing minds. The Tiber as a symbol of aesthetic transmission has been replaced by the Everglades. The idea of the "mainstream" is kept alive by pluralists, rather as Stalin maintained the memory of Trotsky -- as a bogey. But whatever prejudices and illusions "mainstream" thinking once depended on, racism was not among them, and Bearden got left out of the history books because those who wrote them lacked the imagination to find a frame in which to put his work. Such was the fate of the reflective, mildly conservative artist -- which...

Author: /time Magazine | Title: Art: Romare Bearden: Visual Jazz from a Sharp Eye | 6/10/1991 | See Source »

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