Word: tibet
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...awakening for Harrer, one that culminates in his befriending the Dalai Lama, whose friendship and spiritual guidance emboldens him to return to and face tangled domestic issues at home. The relative lack of compelling ideas and characters to identify with before this enlightenment--basically, during Harrer's journey to Tibet--acts as a foil for the movie's latter, more fulfilling half...
...director Jean-Jacques Annaud does deprive the audience of emotional stimulation of any kind, whether from cinematography or character development, until Harrer reaches Tibet. In one tense mountain-climbing scene in the Himalayas (or "Himilias," as Pitt refers to them), we see no panorama and remarkably little scenery in frame. Annaud keeps only the climbers in shot, and instead of majestic mountainscapes, only the snow and gray, gravely rock for a backdrop...
...image of an inexplicably angry young man, unsatisfied with his family and domestic associations. Pitt's gruff, distracted and distant demeanor, his clipped and uncompassionate manner, is convincing he is by no means likable. In fact, as the audience does not identify or sympathize with him on his pre-Tibet misadventures, the movie's first half seems aimless, and Annaud dangerously skirts the edge of alienating the audience by depriving them of something to latch onto...
Pitt's ice seems to melt slightly when his thoughts turn to the family he left behind, which include a divorced wife and a child he has never seen. This subject serves as a bridge to the satisfying emotional resolution in Tibet: it is while trying to establish a correspondence with his estranged son that Harrer first enters Tibet...
While the audience is eating this up with a spoon, Annaud smoothly slips in political issues concerning China's occupancy of Tibet and the ongoing struggle of the Dalai Lama to maintain Tibet's traditional peaceful position. Both Harrer and we the viewers--who have been in parallel states of emotional responsiveness the whole way through--are at this point immediately receptive and sympathetic to the urgency of the Tibetan cause. In only half a movie, the audience comes to buy a complete shift in a character's personality, a familial reconciliation which was at first daunting and allegiance...