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...throughout. While the film is full of golden Parma landscapes, the dominant visual fixture is the moon: it is the film's metaphor for characters whose mysterious dark sides only gradually reveal themselves. In Bertolucci's brilliant climax, set at an open-air opera rehearsal, his artis tic conceits all converge. As the camera constantly shifts its point of view, we see that Luna 's events form a different drama-or opera-from each player's perspective. Only the moon, hovering above, can know the total picture...

Author: /time Magazine | Title: Cinema: Clayburgh's Double Feature | 10/8/1979 | See Source »

...attracts fans like Richie. As he had the previous ten days, Richie took the subway up from Woodside to watch McEnroe dissect Connors in the semis. He sat in a courtside box that was clearly not his own, and burrows of ripped flesh criss-crossed his palm like tic-tac-toe patterns locked in mortal combat. There was blood on his hands, but the kid from Queens didn't feel guilty...

Author: NO WRITER ATTRIBUTED | Title: Open Season | 9/18/1979 | See Source »

Many business people regard the tac tic as a form of secondary boycott and possibly illegal. Nonsense, says Rogers...

Author: /time Magazine | Title: Business: New Weapon for Bashing Bosses | 7/23/1979 | See Source »

...some of the drive and sexual energy that marked his work in Saturday Night Fever. He is technical ly very competent: there is a smooth, pro fessional quality to every shot. But since the script and the entire design of the pro duction are aimed at stressing the roman tic at the expense of the passionate and obsessive elements in this tale, he gets to do only the odd clutching-hand scare shot and a few nicely staged chases. There is evidence- a dinner Dracula gives Lucy that is lit by thousands of candles, for example-that he is capable...

Author: /time Magazine | Title: Cinema: Stuffy Nonsense | 7/23/1979 | See Source »

...that was impossible. But there I had him. I had asked Harrison Forman to accompany me to Chiang's office, for he had photographs of famine conditions. His pictures clearly showed dogs standing over dugout corpses. The Generalissimo's knee began to jiggle slightly, in a nervous tic. He took out his little pad and brush pen and began to make notes. He asked for names of officials; he wanted more names; he wanted us to make a full report to him, leaving out no names. In a flat manner, as if restating a fact to himself...

Author: /time Magazine | Title: Special Section: In Search of History | 7/3/1978 | See Source »

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