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Word: tiepolo (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...collection was readied for hanging in Barcelona's Museo de Arte de Cataluna, Spaniards discovered that the prize was well worth the haggling. Spread out before them was an eye-filling feast of masterpieces by Spaniards Zurburan, Murillo and Goya and such other masters as Rubens, Cranach, Tiepolo, Botticelli and Correggio...

Author: /time Magazine | Title: Art: HOME TO CATALONIA | 3/12/1956 | See Source »

This week New Orleans will unveil its Kress gift: 31 paintings, spanning four centuries, from the Renaissance's 14th century dawn to the last flowering in the 18th century, and including such greats as Tintoretto, Bellini, Veronese. Two of the finest are Tiepolo's angelic 18th century Portrait of a Boy Holding a Book, with its ruddy flesh tones, velvety browns and yellows, and Pannini's The Pantheon and Other Monuments of Ancient Rome, whose picnickers, barking dog and proud, weed-grown ruins form a landscape as gently charming as anyone could wish. Among Houston...

Author: /time Magazine | Title: Art: COLLECTOR'S CHOICE | 4/27/1953 | See Source »

...exhibition, De Kooning celebrates woman in huge canvases covered with fierce slashes, stabs, splashes and streams of lush color. His women look as ripe as Tiepolo's baroque matrons, but they are fully clothed and mighty ugly, with ox eyes, balloon bosoms, pointy teeth and vaguely voracious little smiles. He pictures them in no particular setting, but somehow they convey the impression of being terribly tough, big-city, mid-20th-century dames...

Author: /time Magazine | Title: Art: Big City Dames | 4/6/1953 | See Source »

Writing of this painting's luminous quality some 150 years after Jacopo's death, the 18th century's Giovanni Tiepolo reported: "During my voyage to Bassano. I saw a miracle-a black cloak which seemed to be pure white...

Author: /time Magazine | Title: Art: Renaissance in Bassano | 9/29/1952 | See Source »

...wars, she restored some 500 works for fellow bluebloods. She learned how to smooth over chipped spots ("like filling a tooth"), repaint damaged hands and noses, replace frayed lining, spruce up dull paint with a coat of bright varnish. As she became more skilled, she repaired masterpieces by Rubens, Tiepolo and Velasquez. Once, working on a dark, somber painting by the 16th century Italian Jacopo Palma, she found a whole covey of saints and angels hiding under the grime. Another time, she was called in to restore an unusual Lucas Cranach; instead of one of the 16th century master...

Author: /time Magazine | Title: Art: Countess in the Capitol | 7/14/1952 | See Source »

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