Word: tiepolo
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...formed, and that the "relationship of Gi?mbattista and his assistants" could be ???. The foundation for the Museum's very schol??? demonstration of these points is formed by Knox's definitive system of cataloguing (the medium. prove??? ???. exhibitions, and description of each work), ?? ??? by his previous expertise in Tiepolo ??? and in the father...
...exhibit not only illustrates Tiepolo's individual ??? ??? also comments on his skill in expressing this ???. The hands pictured in the earliest work in the exhibition. "The Annunciation." expose Giambattista's im??? ??? at the age of 22:the Virgin clasps ??? fingers in prayer. But the hands in the late dr??? ??? "A Drunken Ponchinello" illustrates the ??? technique of Tiepolo: the hands so real that sweat ??? ?? ??? in the ???'s ???. If the exhibit had con??? more numerous early works, the contrast would be m??? ???: a subst?n?? number have not been...
...TIEPOLO emphasized the celestial setting by drawing figures sotto or placing them on a physical level above the view??. "Flying Angels," drawn from an underneath perspective, incorporates the confidence of the baroque artist-the bo?dness in line, a shift of the object off center, movement the feeling of depth as the angel recedes into the sky. Many of these drawings with unusual perspectives were sketches for his famed ceilings. In such a series of sketches for the Palazzo Trento (=72-?6). Tiepolo communicates the vitality and spontaneity attributed...
Although showing Tiepolo's stylistic development from the timid "Moses" to the virile "Head of a Bearded Man," the exhibition stresses its second point: primarily Tiepolo's influence on his two sons. Domenico and Lorenzo, and his differentiation between other artists of this atelier. Giovanni Raggis works are much more subdued than Tiepolo's works: Raggi's less effective style of wash makes one appreciate Tiepolo. Raggi's "Virgin" (=25) clearly evolves from specific Tiepolo drawings such as =12, Tiepolo's influence on Francesco Lorenzi is also prevalent. The chalk drawings of these two artists were sometimes indistinguishable...
AMERICAN PROFILE: THE NATIONAL GALLERY OF ART (NBC, 10-11 p.m.). Robert Gulp narrates a visit to the National Gallery, featuring an account of Resident Restorer Francis Sullivan's use of X rays to uncover hidden secrets in several masterpieces. One example: The Lady in Domino by Tiepolo. She holds a closed fan, but X rays show that the artist first painted the fan open and later closed...