Word: tiepolo
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...tiny fraction of its present million-dollar value. "When you've become familiar with the work of a master, it's like recognizing a friend's handwriting," he once said. Among his finds were five Francesco Guardi canvases rolled up in an Irish country shed; two Tiepolo ceiling paintings, one in the drawing room of London's Egyptian embassy and the other at a golf club outside London; and a Caravaggio in an English country home. So renowned were his feats, it was said that financially hard-pressed British landowners dreamed of hearing the butler announce...
...hence resolved to convey his ideas in pictures. He published a volume of twelve visionary buildings that dramatized his spaces by the diagonal perspectives of stage design. But his work created no stir, and he was forced to return to Venice, where the presiding geniuses at the time were Tiepolo, Canaletto and Guardi. The influence of Tiepolo freed Piranesi's line from cramped meticulousness favored by architectural engravers of the day. The result can be clearly seen in the Morgan show, where sketches for decorative panels and figure studies echo Tiepolo's and Guardi's free draftsmanship...
...Actor Jack Nicholson put in a successful bid of $7,728 for a Tiepolo chalk sketch. French Idol Alain Delon also bid on old master drawings, but came away emptyhanded. "The prices were very high," he said. "Not too high for me, but for the pictures." When Zurich Dealer Walter Feilchenfeldt, bidding for a German museum, paid $1,177,600 for a small watercolor by Albrecht Dtirer, reporters asked if he had not gone overboard. He answered coolly: "It went more or less according to plan." Said Sherman Lee, director of the Cleveland Museum...
...this in the current novel. Urged to remember his sons when bequeathing his entire art collection to Elesina, he relents with a few to kens: "Well, suppose I leave them each a painting?...To Lionel the Holbein of Mary Tudor. To Peter the Botticelli To David the big Tiepolo...
...They read as a shimmer of color, sails in the light. Off the beach, past the rattling leaves of the sea grapes, two ambiguous planes meet: the shallow coastal water, slicked with weed, taking the light like satin; and the pale sky, colored the rinsed blue of a Tiepolo ceiling. A pelican lumbers by, just airborne, printing its ragged prehistoric silhouette on the fabric of the scene. Once again, as for the past two decades, Rauschenberg's art drains back into its source, the world...