Word: tiffs
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Dates: during 2000-2009
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...section, now in its 20th year, championed prime work from Tsui Hark, the Hong Kong action master. The gaudily talented, impossibly prolific Takashi Miike got his start here and soon became a Madness regular. One of the highlights of TIFF 2007 is Miike's Sukiyaki Western Django, a shotgun-vs.-sword sagebrush pastiche in which all the actors speak phonetic English - except for Quentin Tarantino, in a succulent cameo role...
Tuesday, Sept. 11, 2001, marked the halfway point of the 25th Toronto International Film Festival (TIFF). Screenings continued through midday, then were canceled to allow the public and the critics, many of them from the U.S., to mourn the deaths and digest the meaning of that day. In every year since, TIFF has commemorated 9/11 with politically pointed films - on the Iraq occupation, the Bush Administration, America's stooped standing in the world - beginning in 2002 with 11'09"01, in which 11 directors each made a film of 11 min. 9 sec. provoked by the events of the year...
...this edition of TIFF, one day was not enough to contain all the 9/11-related movies - not with Hollywood finally getting the Iraq bug. Two American fiction films, Brian De Palma's Redacted and Paul Haggis' In the Valley of Elah, both based on true incidents of violence involving U.S. soldiers, have been among the festival's most strident talking points. Gavin Hood's Rendition tossed Reese Witherspoon, Jake Gyllenhaal and Meryl Streep into a story of U.S.-condoned torture of a terror suspect. But documentary films are the main entertainment conduit for leftist antiwar sentiment (the right wing has talk...
...this sounds off-putting, jump back on, because Maddin's films - from Tales of the Gimli Hospital, his first full-length feature 20 years ago, to last year's silent feature Brand Upon the Brain!, and especially his magnificent 6-min. The Heart of the World, commissioned by TIFF in 2000 - are headlong, heartfelt, weirdly sexy and a hoot. I don't want to diminish his artistic achievement, but the Maddin oeuvre is a joy to sit through...
...haven't often found such a cockeyed, clear-eyed justification for nostalgia - which for Maddin can mean both homesickness and sick-of-homeness. His movie, whatever the man in the TIFF audience thought, has a passion and poignancy that can come only from an artist who loves his city, and its people, and his family, for its failings no less than for its chilly charms. An aging prairie town that has lost some of its grandest relics, Winnipeg is like any person, middle-age or older, who cherishes what he once had every bit as much as he regrets what...