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Eschewing the pinstripe ambiguities of the career professional, Habib is renowned for his straightforward talk and capacity to cut through to the basics. "He gets to the core of issues quickly," says one associate, "and then doesn't leave them till they're settled." But his greatest strength, says another, is that "he knows when to use clout and when to listen." For instance, when talking to Menachem Begin, who tends to obscure issues with lengthy digressions, Habib will tenaciously steer the conversation back to the central topic. "He doesn't take opening positions too seriously...

Author: /time Magazine | Title: Beirut: A Man for All Reasons | 7/19/1982 | See Source »

...otherwise normal (I think!) young married woman except I can't seem to get enough chocolate. I blow the housekeeping money on Godiva chocolate strawberry creams. I count the minutes till the weekly shipment of Teuscher champagne truffles arrives from Switzerland. I hide Tobler Extra-Bitter sweet around the house. Hershey's Kisses mean more to me than Harry's (he's my hubby). Sometimes I even dream Harry has been dipped in milk chocolate. When I can't get chocolate, I sweat and shake. Am I an ADDICT? Is there anything...

Author: /time Magazine | Title: Living: Ah, How Sweet It Is! | 7/12/1982 | See Source »

...anyway. On July 5 he will begin rehearsals for Funny Face, a stage version of the 1956 movie musical. He will co-choreograph and play the Fred Astaire part; Twiggy will take Audrey Hepburn's old role, and with luck the show will reach Broadway in the fall. Till then, tourists should not be alarmed if they hear whinnies in Times Square. It may just be Tommy Tune practicing some of those stylish steps he learned in the paddock back in Texas. - By Gerald Clarke. Reported by Elaine Dutka/New York

Author: /time Magazine | Title: Theater: A Dude from a Different Planet | 6/28/1982 | See Source »

...festival did not flourish at the box office, it was not the artistic flop that some local critics claimed it was either. Robert Ward's opera Minutes Till Midnight, which took as its theme the moral dilemma of an atomic physicist, is less than exciting, but it has a serviceable tonal score and a singable libretto. Albee's The Man Who Had Three Arms, though wordy, is an intriguing, often hilarious parable about the hazards of fame in the TV age, with excellent performances by Robert Drivas, Patricia Kilgarriff and Wyman Pendleton. Williams' A House Not Meant...

Author: /time Magazine | Title: Show Business: Sweating It Out in Miami | 6/28/1982 | See Source »

...STONES proved themselves eager to adapt--to changing musical styles, to writing and playing without Jones, to using the small army of part-time musicians they began carting around, and to making music which was no longer startling but was till by and large the best the genre had to offer. As a American listeners distracted themselves with disco, reggae, and new wave, the Stones decided to keep up rather than call it quits. There was something a little silly about the group that had redefined rock and roll 10 years earlier stringing itself along from year to year with...

Author: By Paul M. Barrett, | Title: Rockin' The U.S.A. | 6/25/1982 | See Source »

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