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...speak is human because human to listen, beyond hope, for an Eighth Day, when the creatured Image shall become the Likeness: Giver-of-Life, translate for me till I accomplish my corpse at last...

Author: /time Magazine | Title: Books: Who Am I Now? | 1/26/1970 | See Source »

Since the publication this fall of a translation of Humanisme et Terreur, a book scarcely available till now even in French, we are better able to locate the sharp edge of Merleau-Ponty's perception. The immediate object evoking his response was Arthur Koestler's Darkness at Noon . This account of the Moscow trials of the 1930's. presented as fiction, appeared in 1946. Along with his argumentation in The Yogi and the Commissar. Koestler's novel was taken as the expression, and for some, the justification of disillusion and inwardness, a mood then pervasive among Western intellectuals...

Author: By Timothy GOULD (copyright and The Author), S | Title: Phenomena Past Adventures | 1/16/1970 | See Source »

...Levon Helm, down on a bare subsistence farm in Marvell, Ark. (pop. 1,200), were making similar plans. To Helm, it was especially urgent. "You get out of school in May, and that's when you've already started planting cotton. You work from there right through till September, and the only break jn there is the Fourth of July. I found out at about the age of twelve that the way to get off that stinking tractor, out of that 105-degree heat, was to get on that guitar...

Author: /time Magazine | Title: Music: Down to Old Dixie and Back | 1/12/1970 | See Source »

...nature, not God, and as usual Janáček's critics missed the point. After its premiere, one wrote sardonically that "the old man" was apparently turning to belief in God. Janáček answered with a bristling postcard: "No old man, no believer. Not till I see for myself." Janáček stuck by his unbeliefs till the last. As he lay dying, a nurse asked him if he would like to make his peace with God. "Nurse," Janáček firmly replied, "you probably don't know...

Author: /time Magazine | Title: Music: Rebirth of an Eccentric | 12/5/1969 | See Source »

...fact, up till now every play I have done I would really have rather done as a film. It was therefore necessary for me to find out what the theatre's "tricks" were to compensate for thislack of close-up, distorted lens...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

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