Word: tillson
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...Gardner Tillson was excellent; as Barnaby Goodchild, the embodiment of changing America, he shoulders a Sisyphian role which is continually taxing and demands a variety of talents, all of which he gives it. With ease and flexibility, he imbues the role with its dynamic symbolism, as limbs akimbo, he burgeons the ever-expanding American frontier...
Fred Blais, on his toes at last, portrays admirably the spirit of repressive convention lurking through the ages. Whereas Tillson Ariels the Dionysic Goodchild, Blais Calabans the Apollonic and parsimonious Parson Killjoy...
Arthur Lutton's Jupiter combined the naivete of the superman with the wistfulness of a god who wishes to experience the mortal man's sensual delights and difficulties. Gardner Tillson's mischievous Mercury is marred by awkwardness and profuseness of gestures. Jane Hanle was generally apathetic as Alkmena but conveyed Alkmena's conquetry and supicious insight. She deserves credit for stepping into her role on one day's notice. Paul Fithian's fatuous Amphitryon, Henry Franck's priggish Trumpeter, Ellen Whitman's inappropriately uncosmopolitan Queen Leda contribute to the carnival of characters who romp through the play. Giraudoux's classico...
...Cassandra, although she needed more variety of voice. William Harris, as Cressida's father, suffered most from overacting and a reliance on stick gestures. The Prince Regent, Hector, was strongly reminiscent of Marshall Tito, but needed a more imperial air. Paris was overplayed as an asinine nincompoop by Gardiner Tillson. Among the minor characters were three very good Palace soldiers of which Sol Schwade was outstanding...