Word: timbers
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Dates: during 1970-1979
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...massive foreign aid, to build modern, developed economies. The nations in this category include the revenue-rich members of OPEC (Organization of Oil Exporting Countries), as well as states whose development may be guaranteed by other key natural resources: Zaire and Zambia (copper), Morocco (phosphates), Malaysia (tin, rubber and timber). Into this group also fall nations like Taiwan, Singapore, South Korea, Mexico and Brazil, which are developed enough to attract foreign investment and borrow on commercial terms...
Time magazine, for instance, just published a call to look outside the usual political arena for our next Chief Executive, listing five university heads among the stoutest Presidential timber--our own Derek Bok, sadly, not among them. We could read this as an affront to the dignity of Harvard. Instead, we should be thankful that the name of Harvard will not be dragged through the mud of a Presidential campaign...
CANNON MT.: An under-rated, under-used mountain, but don't tell anybody. Cannon is tolerable on weekends and completely empty on weekdays. The snow cover on top tends to ice up or blow away (since the mountain is almost above the timber-line and only scrub pine trees offer protection), but when it's open, an aerial tramway and two T-bars serve it. Cannon has a great front face for mogul skiers and racers and it's served by its own little chairlift that rarely has a line. In addition, it has nice beginner's slopes. Student tickets...
...From its steep roof, a panoply of bridges, rigging and wharves unfolds. This is his sculptural landscape−as the marble quarries of Serravezza are Henry Moore's. The Manhattan docks have furnished both the material and the imagery for his work: the gray, salt-pickled balks of timber; their ponderous iron bolts, cleats and straps; the explicit logic of big practical structure. Pieces like Hankchampion (1960) are inseparable from that context. Its salvaged wooden beams, bolted together and strung with chain, are a homage to the plain speech of early industrial architecture. There is also a strong connection...
...could make only small sculpture, which he did by welding steel plates on an asbestos apron spread on his lap. In 1963-64 he was able to continue a series of bronze hands begun in 1958−fists, palms skewered by rods, fingers clamped to a balk of timber. These Rodin-like images of survival and defiance are full of expressionist anguish. As autobiography they are corny but moving. On the other hand, the earlier small steel pieces are generally disappointing. They seem clogged by graphic cliches and distended by a frustrated longing for bigness...